The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
I also visited the photographic establishment of Messrs. Downey in
Newcastle, and there saw some _cabinet pictures_ of the Princess of
Wales, taken recently at Abergeldie Castle. Messrs. Downey have just
returned from Balmoral with upwards of two hundred negatives, including
whole-plate, half-plate, and _cabinet_ size, which will be published in
one or all those sizes, as soon as the orders of Her Majesty have been
executed. From the well-known reputation of the Messrs. Downey as
photographers, it is, in all probability, a treat in store for the
lovers of photography, to get a sight of their latest works at Balmoral
and Abergeldie.
Mr. Parry, another excellent photographer in Newcastle, was also making
arrangements to introduce the new cabinet size picture in a style that
will insure its success.
Altogether, the movements of the best photographers in the North are
highly commendable, and, with their notoriously practical minds, there
is little doubt of their undertakings becoming a success. Let us hope
that the same elements of energy and "push" will speedily impregnate the
minds of all photographers, and create a combination that will develop a
new form of popular beauty, and result in forming a salt that will
savour their labours, produce deposits of gold, and create innumerable
orders of merit.
ERRORS IN PICTORIAL BACKGROUNDS.
We have recently had a few papers on the necessity of art culture and
art knowledge in relation to photography, but they have chiefly been of
a theoretical and speculative character, few, if any, assuming a
practical form. "Apply the rod to teach the child" is an old saying, and
our artist friends and teachers _have_ applied the rod and belaboured
photography most unmercifully, but they have _not_ taught the child.
They have contented themselves with abusing photographers for not doing
what was right, instead of teaching them how to avoid what was wrong.
Public-domain text, read in full here on John Shaqi.
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