The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years — John Shaqi
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
"It is obvious that, in the process so conducted by me with the solar
microscope, I was virtually _within_ my camera, standing between the
object and the prepared paper. Hence the exciting and developing
processes were conducted under _one operation_ (subsequently patented by
Talbot), and the fact of a latent image being brought out was not forced
upon my attention. I did, however, perceive this phenomenon upon one
occasion, after I had been suddenly called away, when taking an
impression of the _Trientalis Europæa_--and surprised enough I was, and
stood in astonishment to look at it. But with all this, I was only, as
the judge said, "_very hot_." I did not realize the _master fact_ that
the latent image which had been developed was the basis of photographic
manipulation. The merit of this discovery is Talbot's, and his only, and
I honour him greatly for his skill and earlier discernment. I was,
indeed, myself fully aware that the image darkened under the influence
of my sensitiser, while I placed my hand before the lens of the
instrument to stop out the light; and my solar mezzotint, as I then
termed it, was, in fact, brought out and perfected under my own eye by
the agency of gallic acid in the infusion, rather than by the influence
of direct solar action. But the notion of developing a latent image in
these microscopic photographs never crossed my mind, even after I had
witnessed such development in the _Trientalis Europæa_. My original
notion was that the infusion of galls, added to the wet chloride or
nitrate paper while the picture was thrown upon it, produced only a new
and highly sensitive compound; whereas, by its peculiar and continuous
action after the first impact of light on the now sensitive paper, I was
also, as Talbot has shown, employing its property of development as well
as excitement. My ignorance of its properties was no bar to its action.
However, I threw the _ball_, and Talbot caught it, and no man can be
more willing than myself to acknowledge our obligations to this
distinguished photographer. He compelled the world to listen to him, and
he had something worth hearing to communicate; and it is a sufficient
return to me that he publicly acknowledged his obligation to me, with
reference to what Sir David Brewster calls 'an essential part of his
patent' (_vide North British Review_, No. 14 article--'Photography').
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account