The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
Another important event of this year was the importation of the first
photographic lens, camera, &c., into England. These articles were
brought from Paris by Sir Hussey Vivian, present M.P. for Glamorganshire
(1889). It was the first lot of such articles that the Custom House
officers had seen, and they were at a loss to know how to classify it.
Finally they passed it under the general head of Optical Instruments.
Sir Hussey told me this, himself, several years before he was made a
baronet. What changes fifty years have wrought even in the duties of
Custom House officers, for the imports and exports of photographic
apparatus and materials must now amount to many thousands per annum!
Having described the conditions and state of progress photography had
attained at the time of my first contact with it, I think I may now
enter into greater details, and relate my own personal experiences from
this period right up to the end of its jubilee celebration.
I was just fourteen years old when photography was made practicable by
the publication of the two processes, one by Daguerre, and the other by
Fox Talbot, and when I heard or read of the wonderful discovery I was
fired with a desire to obtain a sight of these "sun-pictures," but the
fire was kept smouldering for some time before my desire was gratified.
Nothing travelled very fast in those days. Railroads had not long been
started, and were not very extensively developed. Telegraphy, by
electricity, was almost unknown, and I was a fixture, having just been
apprenticed to an engraving firm hundreds of miles from London. But at
last I caught sight of one of those marvellous drawings made by the sun
in the window of the Post Office of my native town. It was a small
Daguerreotype which had been sent there along with a notice that a
licence to practise the "art" could be obtained of the patentee. I
forget now what amount the patentee demanded for a licence, but I know
that at the time referred to it was so far beyond my means and hopes
that I never entertained the idea of becoming a licencee. I believe some
one in the neighbourhood bought a licence, but either could not or did
not make use of it commercially.
Public-domain text, read in full here on John Shaqi.
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