The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
From Seaham Harbour I went to Middlesborough, hoping to do more business
among a larger population, but it appeared as if I were only going from
bad to worse. At that date the population was about thirty thousand, but
chiefly people of the working classes, employed at Balchow and Vaughn's
and kindred works. I made portraits of some of the members of Mr.
Balchow's family, Mr. Geordison, and some of the resident Quakers, but
altogether I did not do much more than pay expenses. I managed, however,
to stay there till the year 1851, when I caught the World's Fair fever,
so I packed up my apparatus and other things I did not require
immediately, and sent them to my father's house, and with a few changes
in my carpet-bag, and a little money in my pocket, I started off to see
the Great Exhibition in London. I went by way of York and Hull, with the
two-fold object of seeing some friends in both places, and to prospect
on the business chances they might afford. At York I found Mr. Pumphrey
was located, but as he did not appear to be fully occupied with
sitters--for I found him trying to take a couple of boys fighting in a
back yard--I thought there was not room for another Daguerreotypist in
York. In a few days I went to Hull, but even there the ground was
preoccupied, so I took the first steamer for London. We sailed on a
Saturday night, and after a pleasant voyage arrived at the wharf below
London Bridge early on Sunday evening. I put up at the "Yorkshire Grey,"
in Thames Street, where I met several people from the North, also on a
visit to London to see the Great Exhibition. This being my first visit
to London, I was anxious to get a sight of the streets and crowds
therein, so, after obtaining some refreshment, I strolled out with one
of my fellow passengers to receive my first impressions of the great
metropolis. The evening was fine, and, being nearly the longest day,
there was light enough to enable me to see the God-forsaken appearance
of Thames Street, the dismal aspect of Fish Street Hill, and the gloomy
column called "The Monument" that stands there to remind citizens and
strangers of the Great Fire of 1666; but I was both amazed and amused
with the life and bustle I saw on London Bridge and other places in the
immediate neighbourhood, but my eyes and ears soon became fatigued with
the sights and sounds of the lively and noisy thoroughfares. After a
night's rest, which was frequently broken by cries of "Stop thief!" and
the screams of women, I arose and made an early start for the Great
Exhibition of 1851. Of all the wonderful things in that most wonderful
exhibition, I was most interested in the photographic exhibits and the
beautiful specimens of American Daguerreotypes, both portraits and
landscapes, especially the views of Niagara Falls, which made me
determine to visit America as soon as ever I could make the necessary
arrangements.
Public-domain text, read in full here on John Shaqi.
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