The first who definitely maintained the latter view was, remarkably
enough, the grandfather of the man who, in our own day, made the theory
of descent finally triumphant, the English physician Erasmus Darwin,
born 1731. This quiet thinker published, in 1794, a book entitled
_Zoonomia_, and in it he takes the important step of substituting for
Goethe's 'secret law' a real relationship of species. He proclaims the
gradual establishment and ennobling of the animal world, and bases
his view mainly on the numerous obvious adaptations of the structure
of an organ to its use. I have not been able to find any passage in
the book in which he has expressly indicated that, because many of
the conditions of life could not have existed from the beginning,
these adaptations are therefore, as such, an argument for the gradual
transformation of species. But he assumed that such exact adaptations
to the functions of an organ could only arise through the exercise of
that function, and in this he saw a proof of transformation. Goethe had
expressed the same idea when he said, 'Thus the eagle has conformed
itself through the air to the air, the mole through the earth to the
earth, and the seal through the water to the water,' and this shows
that he too at one time thought of an actual transformation. But
neither he nor Erasmus Darwin were at all clear as to _how_ the use
of an organ could bring about its variation and transformation. The
latter only says that, for instance, the snout of the pig has become
hard through its constant grubbing in the ground; the trunk of the
elephant has acquired its great mobility through the perpetual use of
it for all sorts of purposes; the tongue of the herbivore owes its
hard, grater-like condition to the rubbing to and fro of the hard grass
in the mouth, and so on. How acute and thoughtful an observer Erasmus
Darwin was, is shown by the fact that he had correctly appreciated the
biological significance of many of the colour-adaptations of animals
to their surroundings, though it was reserved for his grandson to make
this fully clear at a much later date. Thus he regarded the varied
colouring of the python, of the leopard, and of the wild cat as the
best adapted for concealing them from their prey amid the play of light
and shadow in a leafy thicket. The black spot in front of the eye of
the swan he considered an arrangement to prevent the bird from being
dazzled, as would happen if that spot were as snow-white as the rest of
the plumage.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account