The graves on the whole were not rich in deposits. The deceased generally retained some of his wonted adornments of necklaces, rings, fibulae, bracelets, and anklets. Other ornaments, such as ear-rings, were only occasionally added (Fig. 201). All sorts of pottery vessels were numerous, especially beakers and bowls. These did not often reach the coffin uninjured. Even in entirely untouched coffins there are often large fragments, or broken vessels with some pieces missing. Weapons are very rarely found, but this is not surprising when we consider the eminently peaceful character of the householders of Babylon. Seals and seal cylinders are extremely rare in the coffins. It is obvious that the seal was not given to the dead man in his grave, but that it was retained by the heir for further use. Under these circumstances it is impossible to draw conclusions from the dated character of the seal impression, as to the date of the document on which the impression is found, without further evidence. XLV THE TERRA-COTTA FIGURES The number of terra-cottas found in Babylon is enormous. Including very small fragments, it exceeds 6000. Those of the early Babylonian period are not so numerous as those of the Middle, the Neo-Babylonian, and finally of the Graeco-Parthian periods. The style of the latter entirely supersedes the Babylonian, although the types are on the whole retained. Any figures modelled by hand are rare. We will here describe the main characteristics of those that were moulded, of which all that fall within the same group naturally display a great resemblance to each other. The great mass of them exemplify only a few types, they are almost all of them worked merely on one side, and the female figures greatly exceed the male figures in number. 1. The nude female figures with the hands folded in each other below the breast we have already (p. 65) observed as probably representing Ninmach (Fig. 202). The abundant wavy hair falls on the shoulders. She always wears a necklace of several rows, and has numerous anklets and bracelets. In the rounded, full-moon countenance we can recognise the Babylonian standard of beauty which occurs in all female figures. The type goes back to the early Babylonian period, as is seen in Fig. 203; here the rolled-up locks, when seen full face, appear like round discs. [Illustration: FIG. 202.—Female figure with folded hands (Ninmach?). ] [Illustration: FIG. 203.—Woman with folded hands, old Babylonian style. ] [Illustration: FIG. 204.—Woman and child. ] 2. A nude female figure with a child at her breast (Gula?) also occurs very frequently. The arrangement of the hair is the same, but the figure is entirely without ornaments (Fig. 204). This type survived into the Graeco-Parthian period, but it is then clothed, and a fillet is added to the hair (Figs. 205, 206).