The lion, the animal of Ishtar, was so favourite a subject at all times
in Babylonian art that its rich and lavish employment at the main gate
of Babylon, the Ishtar Gate, is by no means abnormal. With the bull, and
still more with the sirrush, the case is different. The bull is the
sacred animal of Ramman, the weather god. A pair of walking bulls often
form the base on which his statue stands, or his emblem the lightning is
frequently placed on the back of a recumbent bull. Similar
representations point to the sirrush as the sacred animal both of Marduk
and of Nabû. In the Babylonian pantheon of Nebuchadnezzar’s time, Marduk
occupied a very prominent position. To him belonged Esagila, the
principal temple of Babylon, and to him Nebuchadnezzar consecrated the
Procession Street and the Ishtar Gate itself. His animal, the sirrush,
frequently appears on carvings of this period, such as the seals and
boundary stones. This “dragon of Babylon” was the far-famed animal of
Babylon, and fits in admirably with the well-known story in the
Apocrypha of Bel and the Dragon. One may easily surmise that the priests
of Esagila kept some reptile, probably an arval, which is found in this
neighbourhood, and exhibited it in the semi-darkness of a temple chamber
as a living sirrush. In this case there would be small cause for wonder
that the creature did not survive the concoction of hair and bitumen
administered to it by Daniel.
The artistic conception of the sirrush (Figs. 31 and 32) differs very
considerably from that of the other fabulous creatures in which
Babylonian art is so exceedingly rich. Although not free from
impossibilities, it is far less fantastic and unnatural than the winged
bulls with human heads, or the bearded men with birds’ bodies and
scorpions’ tails, and similar absurdities.
[Illustration:
FIG. 31.—THE SIRRUSH OF THE ISHTAR GATE.
]
[Illustration:
FIG. 32.—A sirrush, not enamelled.
]
Public-domain text, read in full here on John Shaqi.
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