The Exclusives (vol. 2 of 3)Bury, Charlotte Campbell, Lady
General
The Exclusives (vol. 2 of 3)
Bury, Charlotte Campbell, Lady
Great Britain -- Social life and customs -- Fiction
"Can all this," he asked himself, "be only
preparatory to her breaking off her engagement
altogether?"
Such was the mood of mind in which Lord
Albert entered Lady Tilney's drawing-rooms,
and as hardly any of the invited were as yet
come from the Opera, he had leisure unmolested
to walk through them. They were brilliantly
lighted, and filled with all the rifled
sweets of the green-house; sweets, which
seem but ill suited in their fresh purity for the
scene they were brought to adorn.
While the apartments were still empty, he
had an opportunity of examining some of the
works of art with which they were decorated.
He stopped opposite to a Claude, which was
certainly a contrast to the feelings of his own
mind. The glowing sunrise, the dancing
wave, the palace of the Medici, the business
of a sea-port, conveyed him in idea to the
Pitti Palace. "Often as that subject has been
repeated," he said, turning to Mr. Francis
Ombre, "by the same pencil, it is always new,
always redolent of repose and pleasure; the
scintillating sunbeams are still emblematic
of that dancing of the heart, which in the
morning of our days gilds every thing with
beauty: no, there is no after-pleasure which
can equal the sunrise of existence; and if
ever picture conveyed a moral truth, the pictures
of Claude most assuredly have this
power."
"Yes," replied Mr. Ombre, "I love to
sun myself at a Claude, it is the only sun one
does see in this climate." Lord Albert passed
on, sighing as he went, and his attention was
again arrested by an antique bust of Psyche:
"What refinement of tenderness in the eyelid;
what soul in the curvature of the lip!
how the line swells, and then is lost again in
the almost dimpling roundness of the chin!
how child-like, and yet how replete with
meaning, the turn of the head and neck! it is
at once the bud, the flower, the fruit of beauty
amalgamated and embodied in the marble."
It was indeed an emblem of soul. And
of whom did it remind Lord Albert? Of
his own Adeline. His own! there was an
electric touch in the thought--was she _indeed
still his own_, or had he lost her for ever?
Lady Hamlet Vernon had stood unperceived
by him, watching him for some previous
minutes, and by that sense which
never fails to inform a woman in love, she
felt certain from his manner of looking at
the Psyche, that it conveyed more to interest
him than any mere ideas of _virtù_ could possibly
do.
Public-domain text, read in full here on John Shaqi.
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