The Exclusives (vol. 3 of 3)Bury, Charlotte Campbell, Lady
General
The Exclusives (vol. 3 of 3)
Bury, Charlotte Campbell, Lady
Great Britain -- Social life and customs -- Fiction
Lady Glenmore laughed outright, it might be a little maliciously; for
she knew that no scissors, however classical in the estimation of her
companion, had touched the luxuriance of her beautiful hair, or any
body but her old English maid fashioned her petticoat; but she enjoyed
the mistake, and only thought, "This it is to be a minister's wife!"
When arrived at Lady Tenderden's house, every thing was prepared for
the reception of the _petit soupèr_, that is to say, about twenty
people of the _élite_; and the rooms were lit only to that precise
degree of brilliancy which is best expressed by a _jour tendre_; but
there was _no Lord Glenmore_.
Some of the gentlemen loitered round the instrument, touching the
notes, and humming some fashionable airs. "Apropos," said Lady
Tenderden, "nobody sings like Lady Glenmore, and Mr. Leslie Winyard
will accompany her in a duet."
"Pardon me," said the latter, "I sing so ill, I should only _put Lady
Glenmore out_," and he looked at her significantly; "besides, joking
apart, I have such a cold, it is impossible I could utter a sound. But
perhaps Lady Glenmore may be prevailed upon to favour us with an air,
which will come doubly recommended when not marred by such an ignoramus
as myself. Here are all sorts of beautiful things lying about;" and
he turned over the music. "Not only all the modern, but all the
half-antiquated compositions. Above all, here is my old admiration; and
it has this advantage over many of its cotemporaries, it has _echappé
belle_, and is not hackneyed, for this cogent reason, that hardly any
body _can_ sing it. I mean Haydn's _Ariana à Naxos_."
"Oh, charming!" echoed one or two _real_ amateurs; "do, Lady Glenmore,
do let us prevail with you to grant us the favour."
"Come," joined Lady Tenderden's voice with the rest, "I am sure you
will not have ended before _Teseo_ will have arrived." Lady Glenmore
_was_ prevailed on to comply; and though she began unwillingly, it
was a composition so much in unison with her actual feelings, that
unconsciously she became identified with its expression; and she
sang with such impassioned tenderness, and looked so much the Ariana
that she sang, that all the men were in unfeigned raptures, and Lady
Tenderden sat biting her lips in despite for having pressed her to
the trial of her skill. Once or twice Lady Glenmore paused when there
was a change in the movement, and half rose, saying, "This is too
long, you will be tired;"--but she permitted a _douce_ violence, and,
reseating herself, finished the whole _scena_. However delightful her
performance, and however delighted her audience might be, the odour of
the delicate viands that now awaited them made a powerful diversion
in favour of the latter; and with _empressement_, while murmurs of
applause were still on the lips of many of her auditors, they hastened
to arrange themselves at the table.
Public-domain text, read in full here on John Shaqi.
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