The Executioner's Knife; Or, Joan of ArcSue, Eugène
General
The Executioner's Knife; Or, Joan of Arc
Sue, Eugène
Biographical fiction; Christian fiction; Christian women saints -- Fiction; Joan, of Arc, Saint, 1412-1431 -- Fiction
"A messenger, who stopped yesterday at our house. He told us of the harm
the English are doing the country whence he came; and also of the
troubles of our young Sire. Oh, god-mother, I felt as grieved for him as
if he were my own brother. I could not help crying before falling
asleep. Oh, the messenger repeated it over and over again that the
mother of the young prince is to blame for all of his sufferings; and
that that bad woman had lost Gaul."
"Did the messenger say all that?" asked Sybille, thrilling at a sudden
recollection, "did he say that a woman had lost Gaul?"
"Yes, he did. And he told how, through her fault, the English are
heaping sorrows upon the country people. They pillage them, kill them
and burn down their houses. They have no mercy for women or children.
They drive away the peasants' cattle"--and Jeannette cast an uneasy
glance upon her woolly flock. "Oh, god-mother, my heart bled at the
messenger's report of our young King's sufferings and at the trials of
the poor folks of those regions. To think that one bad woman could cause
so much harm!"
"A woman caused the harm," said Sybille, raising her head with a faraway
look in her eyes, "a woman will redress it."
"How can that be?"
"A woman lost Gaul," resumed Sybille, more and more dreamily, with her
eyes resting on space, "a young girl shall save Gaul. Is the prophecy
about to be fulfilled? Praise be to God!"
"What prophecy, god-mother?"
"The prophecy of Merlin, the famous enchanter. Merlin, the bard of
Brittany."
"And when did he make the prophecy?"
"More than a thousand years ago."
"More than a thousand years! Was Merlin then a saint, god-mother? He
must have been a great saint!"
Absorbed in her own thoughts, Sybille did not seem to hear the young
shepherdess's question. With her eyes still gazing afar, she murmured
slowly the old chant of Armorica:
"Merlin, Merlin, whither this morning with your black dog?
'I come here to look for the egg that is red and laid by the serpent
that lives in the sea.
I come here to look for the cress that is green and the herb that is
golden which grow in the valley,
And the branch of the oak that is stately, in the woods on the banks of
the fountain.'"[5]
"The branch of the oak that is stately--in the woods--on the banks of
the fountain?" repeated Jeannette, questioningly, looking above and
around her, as though struck both by the words and the significant
expression on Sybille's face. "It looks like this spot, god-mother, it
looks like this spot!" But noticing that the old Breton woman did not
listen to her and was seemingly lost in contemplation, she laid her hand
upon her arm and said, insistently, "God-mother, who is that Merlin of
whom you speak? Answer me, dear god-mother!"
"He was a Gallic bard whose chants are still sung in my country,"
answered Sybille, awaking from her revery; "he is spoken of in our
oldest legends."
Public-domain text, read in full here on John Shaqi.
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