The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical EntertainmentsBaker, George M. (George Melville)
History
The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical Entertainments
Baker, George M. (George Melville)
Amateur plays; Drama
_Rob_ (C.). That's right, mother. Keep up a brave heart. We
shall weather the storm. (_Aside._) Oh! who will care for these dear
ones when I am gone? (_Crosses to_ L.)
_Gaylie_ (_outside_). Ha, ha, ha, old Jim! you know me, don't you?
keep away! Open, locks, whoever knocks. I'm home, I'm home! (_Runs in
door in flat._) Home, home again! You dear, good Mother Trueworth!
(_Runs into_ MRS. TRUEWORTH'S _arms_, C.; MATTIE R., ROB L.)
_Mrs. T._ Dear child, welcome, a thousand times welcome!
_Gaylie._ I knew you'd be glad to see me; and Mattie (_runs to her_
R., _and embraces her_), you dear darling, how rosy you look!
_Mattie._ Gaylie, this is a surprise. I'm real glad to see you.
_Gaylie._ Of course you are; isn't it jolly? But where's Rob?
_Rob_ (_advancing_). Here he is; patiently waiting to be
recognized.
_Gaylie_ (_runs to him, and catches his hands, shaking them
heartily_). Oh, you dear old fellow! How glad I am to see you! Why
don't you kiss me?
_Rob_ (_kissing her_). That was certainly an oversight. So you
are back again, the same dear, good Gaylie. Two years' schooling has
made little alteration in you.
_Gaylie_ (C. _with_ ROB; MRS. TRUEWORTH _sits in rocking-chair_;
MATTIE _stands_ L., _with arms akimbo_). Yes, it has. I'm spoiled,
completely spoiled. Got a beau yet, Mattie?
_Mattie._ No, indeed! I hope not.
_Gaylie._ Ha, ha, ha! what a girl! sneers at her destiny. She'll
get over it. Yes, I'm completely spoiled. Went away a _cheild_ of
nature, fresh, buoyant, and all that sort of thing: I've come back a
cultivated woman. Ahem! (_Struts across stage: comes back._) Oh, my
poor little head! it's had Latin squeezed into it, Greek pounded into
it, and French, German, Spanish, and Italian filtered through it. Oh,
it's a learned head! Then my fingers have been calloused into
familiarity with all the ugly notes in the musical scale; my feet
twisted and turned about all the figures a French dancing-master could
invent; and my poor little figure tortured with elegant movements and
graceful poses. Oh, bless you! I'm not myself at all. (_Goes back to
Rob._)
_Rob._ You are our own Gaylie still. I know it; I can feel it in
the warm clasp of your hand, in the clear light of your eyes.
Public-domain text, read in full here on John Shaqi.
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