The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical EntertainmentsBaker, George M. (George Melville)
History
The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical Entertainments
Baker, George M. (George Melville)
Amateur plays; Drama
MATTIE. Act 1, Muslin dress and white apron; sleeves rolled up. Act
3, Evening dress.
NOTE.—"ENLISTED FOR THE WAR," here presented in its most simple
form, can be elaborately produced, if preferred. Where a military
display is desirable, the second act will allow of "an awkward-squad
drill," "relieving guard," a bayonet-drill, or the introduction of a
camp song. At the end of the third act, the returning company might
march across the stage, behind windows and door, illuminated with
white and red lights, with the chorus "Marching through Georgia."
ACT I.—SCENE. _Interior of farm-house. Door in flat_, R. C. _Window
in flat_, L. C. _Outside the window arrange flowers in pots, and
shrubbery. Inside, muslin curtain draped up at_ L. _Window open;
between it and door, bureau or secretary. Lounge or sofa_, L.
_Rocking-chair_, R. C. _Small table with a chair beside it_, L.
C.; _writing-materials on table. Chair_, L. MRS. TRUEWORTH
_discovered in rocking-chair, knitting and rocking_. MATTIE _in
chair beside table, her arms folded on table, her face hidden in
her arms_.
_Hosea_ (_outside_). It's a downright shame. Look at it; a fine
piece of property like this going, going at such a ruinous sacrifice;
and I'm only offered nine hundred and fifty dollars for it; literally
flowing with milk and honey. Shall I have ten,—ten, do you say? Quick,
or you lose it; nine hundred and fifty once, nine hundred and fifty
twice, nine hundred and fifty,—going, going, and gone to Wilder Rowell,
Esq., for nine hundred and fifty dollars. You've got a bargain.
_Mattie_ (_raising her head_). Do you hear, mother? To Wilder
Rowell.
_Mrs. T._ It's a shame to let it go for that price, and to a
stranger.
_Mattie._ Mr. Rowell is no stranger, mother. It's now five years
since he came to Grainlow with Mr. Gifford.
_Mrs. T._ For all that, he's a stranger,—a proud, haughty man, whom
nobody likes, nobody has confidence in.
_Mattie._ Mr. Gifford had confidence enough to give him the
guardianship of his daughter when he died two years ago; and Gaylie
likes him. As for being proud and haughty, to me he is always pleasant
and condescending.
_Mrs. T._ Condescending, indeed! You're just as good as he is.
Bless you, child, the Trueworths held their heads as high as the best
of folks until our troubles commenced. Your father took to borrowing to
experiment with his patent wrinkles, and mortgaged the farm to that
mean skinflint, Hosea Jenks. Ah, well! he did it for the best, no
doubt. Only six months dead, and now the old farm has gone too.
_Mattie._ Mother 'tis hard, 'tis cruel, to leave you homeless in
your old age. Had father been wise—
Public-domain text, read in full here on John Shaqi.
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