The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical Entertainments — John Shaqi
The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical EntertainmentsBaker, George M. (George Melville)
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The Exhibition Drama: Comprising Drama, Comedy, and Farce, Together with Dramatic and Musical Entertainments
Baker, George M. (George Melville)
Amateur plays; Drama
_Rowell._ Well, I certainly have heard something to my advantage.
So, my fine soldier-boy, you love my ward, Gaylie Gifford. So do I.
There we are perfectly agreed. But, when it comes to possession, I
think we shall quarrel. Forewarned, forearmed. I have purchased this
farm for the purpose of pleasing my ward; well knowing, that, had she
been informed of the sale, she would have requested its purchase, that
in gratitude she might have restored it to her old protectress. Her
gratitude to me, for my wise forethought, would, no doubt, bring me one
step nearer to my ambition. But this soldier loves her; should she be
allowed to carry out her wishes, would love her all the more, perhaps
arouse an answering affection. No. I'll keep the farm for my own
pleasure; perhaps play the _rôle_ of benefactor myself. Gaylie's large
fortune must be shared with me. I never dreamed of this fellow's
ambition. He rise? If fortune only smile upon me, I will guard against
that.
_Crimp_ (_outside_). I'm obleeged to you, Massa Jinks. I jes
w-w-want to know w-w-w-whar you gwine t-t-t-ote dis yere farm?
_Hosea_ (_outside_). Oh, bother! do you suppose we're going to
dig it up, and cart it off, you stupid? (_Enter door in flat, followed
by_ CRIMP.)
_Crimp._ S'pose, s'pose; donno nuffin 'bout s'posin, Massa Jinks.
You cum down here, Massa Jinks, betwixt eleben and seben, A.M., into de
forenoon. You stick up a red frag ober de do', and you gets up onto de
barril; and, when you's onto de barril, you gets a crowd round de
barril, and deliber a Fourfe-ob-July speech onto de barril, and you jaw
away, and ax 'em for dollars, nine hundred dollars, fify dollars, and
tell dat ar assemblin' dis yere farm am gwine, gwine, gwine; and all I
ax you for to tole me, whar it am gwine for to go. I'm obleeged to you.
_Hosea._ Oh! that's only a figurative expression. I've sold the
farm: that's all.
_Crimp._ Figger-who? Sole de farm; who tole you? who ax you?
_Hosea._ My interest.
_Crimp._ In-ter-which? who's he?
_Hosea._ I had a mortgage on the property, foreclosed, and sold
out.
_Crimp._ M-m-m-orgages onto de property. No, sar, don't raise 'em;
heaps ob cabbages, but no morgages. I'm obleeged to you.
_Hosea._ Well, I've sold the property,—house, land,
farming-utensils, and live stock.
_Crimp._ Live stock; horses, cows, by golly, and de hogs (HOSEA
_nods_), and de chickens and roosters?
_Hosea._ Yes, sold them all.
_Crimp._ By golly, you don't mean it; w-w-w-what we gwine to do
for Fanksgibben? And de ole ram Jim,—he gwine too?
_Hosea._ Yes, the old ram Jim.
_Crimp._ Golly, dat so? I'm obleeged to you, Massa Jinks. Dat are
ole ram Jim am de mos' dyspeptic biped—
_Hosea._ Quadruped, Crimp. Bipeds walk on two legs: he goes on
four.
Public-domain text, read in full here on John Shaqi.
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