and resemblance of his infinite excellency? founding it upon the infiniteness of his nature, which necessarily implies the spirituality of it, God is infinitely above any statue: and those that think to draw God by a stroke of a pencil, or form him by the engravings of art, are more stupid than the statues themselves. To show the unreasonableness of it, consider, 1. It is impossible to fashion any image of God. If our more capacious souls cannot grasp his nature, our weaker sense cannot frame his image; it is more possible, of the two, to comprehend him in our minds, than to frame him in an image to our sense. He inhabits inaccessible light; as it is impossible for the eye of man to see him, it is impossible for the art of man to paint him upon walls, and carve him out of wood. None knows him but himself, none can describe him but himself.[388] Can we draw a figure of our own souls, and express that part of ourselves, wherein we are most like to God? Can we extend this to any bodily figure, and divide it into parts? How can we deal so with the original copy, whence the first draught of our souls was taken, and which is infinitely more spiritual than men or angels? No corporeal thing can represent a spiritual substance; there is no proportion in nature between them. God is a simple, infinite, immense, eternal, invisible, incorruptible being; a statue is a compounded, finite, limited, temporal, visible, and corruptible body. God is a living spirit; but a statue nor sees, nor hears, nor perceives anything. But suppose God had a body, it is impossible to mould an image of it in the true glory of that body; can the statue of an excellent monarch represent the majesty and air of his countenance, though made by the skilfullest workman in the world? If God had a body in some measure suited to his excellency, were it possible for man to make an exact image of him, who cannot picture the light, heat, motion, magnitude, and dazzling property of the sun? The excellency of any corporeal nature of the least creature, the temper, instinct, artifice, are beyond the power of a carving tool; much more is God.