English fiction -- 20th century; Short stories, English
The ever-increasing facilities for airing one’s grievances in long
primer, he contends, are destructive of that chaste reserve once
characteristic of our race. I agree with O’Hagan. He declares that we
love to be interviewed.
“Is it not true, Raymond,” he cries, “that for the sake of seeing her
photograph (retouched) in the columns of a daily paper, Mrs. Brown-Jones
will reveal to the blushing public the secret of her corsets? Does she
not draw attention to the graceful contour of her form, and she (the
mother of a family) take the man in the street into her confidence,
imparting to him intimate particulars respecting her wardrobe which, if
used indiscreetly, would prove most compromising?
“Alas, O’Hagan,” I reply, “it is so.”
He throws himself back in his chair, purple-lined cloak widely flying;
picturesque, hatless head raised in scorn. He is the focus of a hundred
gazes.
“A young lady,” he continues, “whom one might assume from her picture in
the advertisement column to be not wholly destitute of modesty, will
inform edified readers that ‘until Mrs. Hodge brought me a box of Nippo
Ointment my face was one red mass of pimples!’ She will declare that
formerly she was unable to sleep at night owing to the itching of her
back!”
His scorn is terrible; superbly fearful. Advertisement is anathema.
We are seated in the Park, wherein at the moment no one else is talked
of but my distinguished friend. Those who have the honour of his
acquaintance acquire a new popularity with the less fortunate. Several
countesses and a charming duchess have repassed us no fewer than nine
times. But O’Hagan, serenely insensible to the admiration which he
excites in so many bosoms, lounges regally aloof, as one upon a lofty
minaret who scarce glances down to the throngs beneath him.
An author of “costume” romances passes. His studiously cultivated
resemblance to Napoleon III. usually earns him a buzz of acknowledgment.
This morning he moves amid the chill of unrecognition, and raises his
prominent moustache fiercely and rudely as he glares at my companion,
who usurps all homage.
“That fellow stares in an unwarrantable manner,” says O’Hagan; and
taking my arm, he proceeds in the same direction.
We overtake the author, despite my lagging footsteps; for I perceive
that my friend is bent upon some extravagant act.
“Pardon me, sir!”
The author turns, glaring.
“But are you connected with the house of Buonaparte?”
The author, puzzled, faintly gratified:
“Not directly, sir. But what——”
“I regret that, sir. I cherish an antipathy from the family which I may
term hereditary. Your reply deprives me of the pleasure of trimming your
_moustachios_!”
The man is stricken speechless. It is such an encounter as he has
portrayed (on paper) a score of times. But in the actuality it finds him
lacking.
“For your whole appearance is most distasteful to me,” concludes the
Captain. “Good morning.”
(We proceed.)
Public-domain text, read in full here on John Shaqi.
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