English fiction -- 20th century; Short stories, English
“At such times,” my mendacious friend has informed me, “to lie becomes a
virtue. Dillon distrusted his wife’s old admirer—whose name he had
quixotically, though fortunately, avoided learning. Therefore,
preparatory to peace, the anonymous gentleman had to be whitewashed. His
whitewashing accomplished, next, in order to insure Dillon’s silence
respecting his history, he had to be buried for ever.
“I buried him in the eternal snows, Raymond. What more appropriate tomb
for the rejected lover?”
EXPLOIT THE FIFTH.
HE DEALS WITH DON JUAN.
EXPLOIT THE FIFTH.
HE DEALS WITH DON JUAN.
I.
HAVERLEY OF THE GREYS.
My friend Captain O’Hagan is a man fatally easy to misjudge; a man
monstrously difficult to appreciate. Arraign him before a bar of his
peers, and no two findings would march in step, no two voices be in
unison. If we except the critic of the _Tailor and Cutter_, I doubt,
indeed, if there be a man in London who perceives the exquisite
distinction of O’Hagan’s dress. His mode of going hatless is dubbed
affectation; his purple-lined cloak an ostentatious extravagance.
But some there are who instinctively detect O’Hagan’s sterling
qualities; some (as myself) achieve to this knowledge; and some have it
thrust upon them.
I recall an illustrative incident:
O’Hagan and I were at one of those pleasant afternoon functions where
the caller surreptitiously, but constantly, glances at his timepiece in
order to learn if a sufficient interval has elapsed since his arrival to
admit of his departure. You have been, no doubt? O’Hagan rarely goes;
but a Miss Pamela Crichton was present on this occasion—and, somehow,
O’Hagan and I are frequently meeting this charming girl at all sorts of
odd places—quite by accident, oh, quite by accident.
“I am proud of the success which Pamela has achieved,” my friend
whispered to me, “since I took her up.” (She composes). “But I do not
approve of her accepting these social invitations. She is merely
providing the hostess with a gratuitous entertainment.”
This view of the matter, from O’Hagan, surprised me. But later, the
hostess said:
“_Dear_ Miss Crichton, you will play us that last charming piece of
yours, _won’t_ you!”
Mrs. Pointzby-North’s request was sweetly proffered, but it was a
sweetness akin to that with which, addressing a valued butler, she might
have said:
“_Milton_, you will see that the bull-dogs are not permitted to fight in
the drawing-room in future, _won’t_ you!”
O’Hagan did not object to the tone of patronage, however. (“Mrs.
Pointzby-North,” said he, “is a member of a very old and distinguished
family.” That, of course, was final.)
But when Pamela began to play, delightfully, and everyone continued to
chatter, simianly, he stood up.
“Rank has its obligations,” he said—and strode across to the player.
Public-domain text, read in full here on John Shaqi.
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