The Exploits of Juve: Being the Second of the Series of the "Fantômas" Detective TalesSouvestre, Pierre
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The Exploits of Juve: Being the Second of the Series of the "Fantômas" Detective Tales
Souvestre, Pierre
Detective and mystery stories; Fantômas (Fictitious character) -- Fiction
"Doctor, you can't go in just now; Professor Hugard is operating and has
given express orders that no one is to be admitted."
Chaleck turned up the gallery again, but abruptly swung round again as
he caught sight of Juve and the director just entering the gallery,
driving before them half a dozen patients and orderlies. Chaleck joined
this little group, which had pulled up at the end of the gallery and was
making laughing comments on the rigid inspection to which Juve was just
about to subject them.
"Now's the time to show clean hands," joked a non-resident, "eh, Miss
Victorine?" he added, smiling at a buxom nurse whom the chances of duty
had blockaded in the corridor.
"Depend upon it," growled one of the accountants of the administrative
department, shrugging his shoulders, "they are making a great fuss over
nothing. After all, no one is hurt. Just one more pistol shot; in this
neighbourhood we have ceased to count them."
An old man, who had his hand bandaged, suggested: "Perhaps they'll be
wanting to arrest me since the culprit is wounded in the fingers, they
say."
Dignified and calm, Juve did his best to restore liberty to each of the
persons brought together. They had only to show their two hands held up
in front of the face, the fingers apart. M. de Maufil, at a sign from
Juve, immediately bade the attendant hand the person in question a card
bearing his name and description. Armed with this "Sesame" he could come
and go unimpeded all over the hospital.
Pointing to a large door at the extreme end of the corridor, Juve asked:
"What exit is that?"
The other smiled. "You want to see everything, don't you?"
The director, opening the heavy door, made room for Juve, who entered a
very narrow passage, damp and quite dark. The passage, a short one,
opened on a vast apartment, much like a cellar, lighted by air-holes in
the ceiling and intensely cold. A noise of running water from open taps
broke with its monotonous splash the silence of this place, solely
furnished with a huge slab of wood running from one end to the other.
Upon the slab dim and lengthy white shapes were outstretched, and when
his eyes grew accustomed to the twilight, Juve recognised the vague
outline of these weird bundles. They were corpses swathed in shrouds.
The heads and shoulders alone were visible, and on the brows of the dead
trickled icy water, dispensed sparingly but regularly by duck-billed
taps that overhung the inclined plane.
The director explained: "This is the amphitheatre where we keep the
bodies for post-mortems. Do you want to stay any longer?"
"There is no access to the room except by the door we came in at?"
"None."
"In that case," rejoined Juve, "and as there is no furniture here for a
person to hide in, let us look elsewhere. It's a rather gruesome
place."
"You're not used to the sight, that's all," replied the director, as he
led the way back to his office.
Public-domain text, read in full here on John Shaqi.
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