The exposition of 1851 : $b or, Views of the industry, the science, and the government, of EnglandBabbage, Charles
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The exposition of 1851 : $b or, Views of the industry, the science, and the government, of England
Babbage, Charles
Great Exhibition (1851 : London, England)
The duties of the various juries who will examine and recommend the
articles for which prizes are to be awarded, will require much
consideration. It cannot be expected, even after long experience through
several successive expositions, that it would be possible to form a jury
which should satisfy every exhibitor. Much, however, may be done, even
at the first, by a sincere desire to arrive at just conclusions, and by
an earnest endeavour to inform the public of the principles, and to
point out the observations, which have led their judgment to the
decisions at which they may arrive. Each of the purely mechanical arts
is allied to one or more of the sciences; almost all their various
processes are amenable to, and explicable by known laws; it is possible
for him who is a perfect master of his own craft, so to explain them
without technical terms, and in the language of common sense, that most
persons of tolerably liberal education, and possessing a fair average
intellect, may not only understand the effect produced, but admire the
ingenuity by which it was attained.
§ It is of great importance that an effort should be made to remove that
veil of mystery which unfortunately, even in minds otherwise well
instructed, often shrouds the principles on which perfection in
manufactures, in science, and still more remarkably in the fine arts,
depends. These principles nevertheless are founded immutably on the
nature of the material world around us, as well as upon our own internal
feelings. Those which regulate taste are as general, although its rules
are not so precise, as those which relate to physics. Nor need it be
dreaded that a knowledge of the _grounds_ of that admiration which works
of genius ever command from cultivated minds, should diminish the
pleasure derived from their contemplation.
Show to the student some mechanism effecting results apparently beyond
the reach of the art, and he becomes impressed with the immense distance
between his own intelligence and that which contrived it. Explain to him
the simple means and the beautiful combinations by which it is effected,
you then raise him in his own estimation, and the studious disciple thus
instructed, will ultimately arrive at the conclusion that the only
distance which is really _immense_, is that existing between the
perfection of the highest work of human skill and the simplest of the
productions of nature.
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