The exposition of 1851 : $b or, Views of the industry, the science, and the government, of EnglandBabbage, Charles
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The exposition of 1851 : $b or, Views of the industry, the science, and the government, of England
Babbage, Charles
Great Exhibition (1851 : London, England)
§ In questions relating to taste the subject matter is so idealized,
that the enthusiastic and the timid equally dread its contact with the
more sober powers of reasoning, lest the process of analysis should
disenchant its visionary scenes, and dissolve the unreal basis of their
delight. Taste the most perfect, without a knowledge of the principles
on which it rests, resembles the barren instinct of animals: like them,
it gathers but little improvement from experience, and like them it
perishes with the extinction of the individual life; its labours leave
no inheritance to its race.
Taste united with an intimate knowledge of its principles, and still
more if conjoined with the power of eliminating from the fleeting
relations amongst the objects of its attention, those resemblances
which, when sufficiently multiplied and defined, lead up to the
discovery of higher generalizations, confers upon its enviable possessor
a double source of happiness; it adds the delight of an intellectual
triumph to those romantic feelings which are excited by the beautiful,
the lovely, or the sublime in Nature, or which are suggested by the most
perfect representations of art.
The comprehension of the cause of our pleasure renders us more acute to
perceive those elements which conduce to its existence, to trace their
connexion, to estimate their amount, to mould into form, and to call up
for the happiness of others and of ourselves, their endless
combinations.
There is, however, for that rare union of judgment, imagination, and
taste, which we call genius, when each exists in due proportion and in
rich abundance, a yet higher object, a still nobler ambition. To have
given to mankind those models, which, after twenty centuries, still
rivet their attention, commanding unbounded admiration and defying
rivalry, is indeed a splendid achievement, justly repaid by the undying
fame which accompanies the names of those benefactors to mankind.
But great as undoubtedly our gratitude ought to be for such gifts, it is
trifling compared with that which civilized society would owe to him,
who should instruct us in the _principles_ that guided the intellect as
well as the hands, of those by whom such immortal works were executed.
Public-domain text, read in full here on John Shaqi.
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