The excerpts from the older histories are, of course, by far the best material in the book for the period of the monarchy. If Samuel and Kings had perished, we should have been under great obligations to the chronicler for preserving to us large portions of their ancient records. As it is, the chronicler has rendered invaluable service to the textual criticism of the Old Testament by providing us with an additional witness to the text of large portions of Samuel and Kings. The very fact that the character and history of Chronicles are so different from those of the older books enhances the value of its evidence as to their text. The two texts, Samuel and Kings on the one hand and Chronicles on the other, have been modified under different influences; they have not always been altered in the same way, so that where one has been corrupted the other has often preserved the correct reading. Probably because Chronicles is less interesting and picturesque, its text has been subject to less alteration than that of Samuel and Kings. The more interested scribes or readers become, the more likely they are to make corrections and add glosses to the narrative. We may note, for example, that the name “Meribbaal” given by Chronicles for one of Saul’s sons is more likely to be correct than “Mephibosheth,” the form given by Samuel.(29) The material derived from traditions and writings of the chronicler’s own age is of uncertain historical value, and cannot be clearly discriminated from the author’s free composition. Much of it was the natural product of the thought and feeling of the late Persian and early Greek period, and shares the importance which attaches to the chronicler’s own work. This material, however, includes a certain amount of neutral matter: genealogies, family histories and anecdotes, and notes on ancient life and custom. We have no parallel authorities to test this material, we cannot prove the antiquity of the sources from which it is derived, and yet it may contain fragments of very ancient tradition. Some of the notes and narratives have an archaic flavour which can scarcely be artificial; their very lack of importance is an argument for their authenticity, and illustrates the strange tenacity with which local and domestic tradition perpetuates the most insignificant episodes.(30)