This forgetfulness of the cross on the part of the Galatians is the more astonishing to Paul, because at first they had so vividly realised its power, and the scene of Calvary, as Paul depicted it,[75] had taken hold of their nature with extraordinary force. He was conscious at the time--so his words seem to intimate--that it was given him, amongst this susceptible people, to draw the picture with unwonted effect. The gaze of his hearers was rivetted upon the sight. It was as if the Lord Jesus hung there before their eyes. They beheld the Divine sufferer. They heard His cries of distress and of triumph. They felt the load which crushed Him. Nor was it their sympathies alone and their reverence, to which the spectacle appealed. It stirred their conscience to its depths. It awakened feelings of inward humiliation and contrition, of horror at the curse of sin, of anguish under the bitterness and blackness of its death. "It was _you_," Paul would say--"you and I, for whom He died. _Our_ sins laid on Him that ignominy, those agonies of body and of spirit. He died the Just for the unjust, that He might bring us to God." They looked, they listened, till their hearts were broken, till all their sins cried out against them; and in a passion of repentance they cast themselves before the Crucified, and took Him for their Christ and King. From the foot of the cross they rose new men, with heaven's light upon their brow, with the cry _Abba, Father_ rising from their lips, with the Spirit of God and of Jesus Christ, the consciousness of a Divine sonship, filling their breast. [75] The verb προεγράφη (_openly set forth_) probably means _painted up_ rather than _placarded_. This more vivid meaning belongs to γράφω, and there is no sufficient reason why it should not attach to προ-γράφω. It is entirely in place here. "Jesus Christ crucified" is not an announcement to be made, but an object to be delineated.