The Expositor's Bible: The First Epistle to the CorinthiansDods, Marcus
Religion
The Expositor's Bible: The First Epistle to the Corinthians
Dods, Marcus
Bible. Corinthians, 1st -- Commentaries
In order to see the import and importance of this matter of dress, we
must first of all know how it came to pass that the Christian women
should have thought of making a demonstration so unfeminine as to
shock the very heathen around them. What was their intention or
meaning in doing so? What idea was possessing their minds? Throughout
this long and interesting letter, Paul is doing little else than
endeavouring to correct the hasty impressions which these new
believers were receiving regarding their position as Christians. A
great flood of new and vast ideas was suddenly poured in upon their
minds; they were taught to look differently on themselves, differently
on their neighbours, differently on God, differently on all things.
Old things had in their case passed away with a will, and all things
had become new. They were made alive from the dead, they were born
again, and did not know how far this affected the relationships with
this world into which their natural birth had brought them. The facts
of the second birth and the new life took such hold upon them, that
they could not for a time understand how they were yet connected with
the old life. So that for some of them Paul had to solve the simplest
problems, as, for example, we find that the believing husband was in
doubt whether he should live with his wife who remained an unbeliever,
for was it not abhorrent to nature that he, the living, should be
bound to the dead, that a child of God should remain in the most
intimate connection with one who was yet a child of wrath? Was this
not a monstrous anomaly, for which prompt divorce was the fit remedy?
That such questions as these should be put shows us how difficult
these early Christians found it to adjust themselves as children of
God to their position in a corrupt condemned world.
Public-domain text, read in full here on John Shaqi.
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