The Expositor's Bible: The First Epistle to the CorinthiansDods, Marcus
Religion
The Expositor's Bible: The First Epistle to the Corinthians
Dods, Marcus
Bible. Corinthians, 1st -- Commentaries
And more must be done even after we are securely fitted into our
place. Stones often look well enough when first built in, but soon
lose their colour; and their surface and fine edges crumble and shale
off, so that they need to be constantly looked to. So do the stones in
God's temple get tarnished and discoloured by exposure. One sin after
another is allowed to stain the conscience; one little corruption
after another settles on the character, and eats out its fineness, and
when once the fair, clean stone is no longer unsullied, we think it of
little consequence to be scrupulous. Then the weather tells upon us:
the ordinary atmosphere of this life, with its constant damp of
worldly care and its occasional storms of loss, and disappointment,
and social collisions, and domestic embroilment, eats out the heavenly
temper from our character, and leaves its edges ragged; and the man
becomes soured and irritable, and the surface of him, all that meets
the casual eye, is rough and broken.
Above all, do not many Christian persons seem to think it enough to
have attained a place in the building, and, after spending a little
thought and trouble on entering the Christian life, take no step
onwards during the whole remainder of their lives? But it is in God's
building as in highly ornamented buildings generally. The stones are
not all sculptured before they are fitted into their places; but they
are built in rough-hewn, so that the building may proceed: and then at
leisure the device proper to each is carved upon it. This is the
manner of God's building. Long after a man has been set in the Church
of Christ, God hews and carves him to the shape He designs; but we,
being not dead, but living, stones, have it in our power to mar the
beauty of God's design, and indeed so distort it that the result is a
grotesque and hideous monster, belonging to no world, neither of God
nor of man. If we let a thousand other influences mould and fashion
us, God's design must necessarily be spoiled.
Public-domain text, read in full here on John Shaqi.
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