The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII. — John Shaqi
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
The true basis of the psalm is not some petty revolt of subject
tribes, even if such could be adduced, but Nathan's prophecy in 2 Sam.
vii., which sets forth the dignity and dominion of the King of Israel
as God's son and representative. The poet-prophet of our psalm may
have lived after many monarchs had borne the title, but failed to
realise the ideal there outlined, and the imperfect shadows may have
helped to lift his thoughts to the reality. His grand poem may be
called an idealising of the monarch of Israel, but it is an idealising
which expected realisation. The psalm is prophecy as well as poetry;
and whether it had contemporaneous persons and events as a
starting-point or not, its theme is a real person, fully possessing
the prerogatives and wielding the dominion which Nathan had declared
to be God's gift to the King of Israel.
The psalm falls into four strophes of three verses each, in the first
three of which the reader is made spectator and auditor of vividly
painted scenes, while in the last the psalmist exhorts the rebels to
return to allegiance.
In the first strophe (vv. 1-3) the conspiracy of banded rebels is set
before us with extraordinary force. The singer does not delay to tell
what he sees, but breaks into a question of astonished indignation as to
what _can_ be the cause of it all. Then, in a series of swift clauses,
of which the vivid movement cannot be preserved in a translation, he
lets us see what had so moved him. The masses of the "nations" are
hurrying tumultuously to the mustering-place; the "peoples" are
meditating revolt, which is smitingly stigmatised in anticipation as
"vanity." But it is no mere uprising of the common herd; "the kings of
the earth" take their stand as in battle-array, and the men of mark and
influence lay their heads together, pressing close to one another on the
divan as they plot. All classes and orders are united in revolt, and
hurry and eagerness mark their action and throb in the words. The rule
against which the revolt is directed is that of "Jehovah and His
Anointed." That is one rule, not two,--the dominion of Jehovah exercised
through the Messiah. The psalmist had grasped firmly the conception that
God's visible rule is wielded by Messiah, so that rebellion against one
is rebellion against both. Their "bands" are the same. Pure monotheist
as the psalmist was, he had the thought of a king so closely associated
with Jehovah, that he could name them in one breath as, in some sense,
sharers of the same throne and struck at by the same revolt. The
foundation of such a conception was given in the designation of the
Davidic monarch as God's vicegerent and representative, but its full
justification is the relation of the historic Christ to the Father whose
throne He shares in glory.
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