The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
Another pair of psalms follows the two of the Introduction. They are
closely connected linguistically, structurally, and in subject. The one
is a morning, the other an evening hymn, and possibly they are placed at
the beginning of the earliest psalter for that reason. Ewald and Hitzig
accept the Davidic authorship, though the latter shifts the period in
David's life at which they were composed to the mutiny of his men at
Ziklag (1 Sam. xxx.). Cheyne thinks that "you will find no situation
which corresponds to these psalms," though you "search the story of
David's life from end to end." He takes the whole of the Psalms from
iii. to xvii., excepting viii., xv., xvi., as a group, "the heart
utterances of the Church amidst some bitter persecution"--namely, "the
period when faithful Israelites were so sorely oppressed both by
traitors in their midst and by Persian tyrants" ("Orig. of Psalt.," pp.
226, 227). But correspondences of the two psalms with David's situation
will strike many readers as being at least as close as that which is
sought to be established with the "spiritual kernel of the nation during
the Persian domination," and the absence of more specific reference is
surely not unnatural in devout song, however strange it would be in
prosaic narrative. We do not look for mention of the actual facts which
wring the poet's soul and were peculiar to him, but are content with his
expression of his religious emotions, which are common to all devout
souls. Who expects Cowper to describe his aberrations of intellect in
the "Olney Hymns"? But who cannot trace the connection of his pathetic
strains with his sad lot? If ever a seeming reference to facts is
pointed out in a so-called Davidic psalm, it is brushed aside as
"prosaic," but the absence of such is, notwithstanding, urged as an
argument against the authorship. Surely that is inconsistent.
This psalm falls into four strophes, three of which are marked by Selah.
In the first (vv. 1, 2) the psalmist recounts his enemies. If we regard
this as a morning psalm, it is touchingly true to experience that the
first waking thought should be the renewed inrush of the trouble which
sleep had for a time dammed back. His enemies are many, and they taunt
him as forsaken of God. Surely it is a strong thing to say that there is
no correspondence here with David's situation during Absalom's revolt.
It was no partial conspiracy, but practically the nation had risen
against him, "ut totidem fere haberet hostes quot subditos" (Calvin).
Public-domain text, read in full here on John Shaqi.
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