The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
Noteworthy is the intensely personal tone of the invocation in both
its clauses, as in the whole of these first verses, in every clause of
which "my" or "I" occurs. The poet is alone with God and seeking to
clasp still closer the guiding hand, to draw still nearer to the
sweet and awful presence where is rest. The invocation holds a plea in
itself. He who says, "My King and my God," urges the relation, brought
about by God's love and accepted by man's faith, as a ground for the
hearing of his petition. And so prayer passes into swift assurance;
and with a new turn in thought, marked by the repetition of the name
"Jehovah" (ver. 3), he speaks his confidence and his resolve. "In the
morning" is best taken literally, whether we suppose the psalm to have
been composed for a morning song or no. Apparently the compilers of
the first Psalter placed it next to Psalm iv., which they regarded as
an evening hymn, for this reason. "I will lay me down and sleep" is
beautifully followed by "In the morning shalt Thou hear my voice." The
order of clauses in ver. 3 is significant in its apparent breach of
strict sequence, by which God's hearing is made to precede the
psalmist's praying. It is the order dictated by confidence, and it is
the order in which the thoughts rise in the trustful heart. He who is
sure that God will hear will therefore address himself to speak. First
comes the confidence, and then the resolve. There are prayers wrung
from men by sore need, and in which doubt causes faltering, but the
happier, serener experience is like that of this singer. He resolves
to "order" his prayer, using there the word employed for the priest's
work in preparing the materials for the morning sacrifice. Thus he
compares his prayer to it, and stands at the same level as the writer
of Psalm iv., with whose command to "offer the sacrifices of
righteousness" this thought again presents a parallel.
A psalmist who has grasped the idea that the true sacrifice is prayer is
not likely to have missed the cognate thought that the "house of the
Lord," of which he will presently speak, is something other than any
material shrine. But to offer the sacrifice is not all which he rejoices
to resolve. He will "keep watch," as Habakkuk said that he would do, on
his watch-tower; and that can only mean that he will be on the outlook
for the answer to his prayer, or, if we may retain the allusion to
sacrifice, for the downward flash of the Divine fire, which tells his
prayer's acceptance. Many a prayer is offered, and no eyes afterwards
turned to heaven to watch for the answer, and perhaps some answers sent
are like water spilled on the ground, for want of such observance.
Public-domain text, read in full here on John Shaqi.
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