The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.
Maclaren, Alexander
Bible. Psalms -- Commentaries
But the victory is not quite won, and therefore Psalm xliii. follows.
It is sufficiently distinct in tone to explain its separation from
the preceding, inasmuch as it is prayer throughout, and the note
of joy is dominant, even while an undertone of sadness links it
with the previous parts. The unity is vouched by the considerations
already noticed, and by the incompleteness of Psalm xlii. without
such triumphant close and of Psalm xliii. without such despondent
beginning. The prayer of vv. 1, 2, blends the two elements, which
were at war in the second part; and for the moment the darker is
the more prominent. The situation is described as in the preceding
parts. The enemy is called a "loveless nation." The word rendered
"loveless" is compounded of the negative prefix and the word which is
usually found with the meaning of "one whom God favours," or visits
with loving-kindness. It has been much disputed whether its proper
signification is active (one who shows loving-kindness) or passive
(one who receives it). But, considering that loving-kindness is in the
Psalter mainly a Divine attribute, and that, when a human excellence,
it is regarded as derived from and being the echo of experienced
Divine mercy, it is best to take the passive meaning as the principal,
though sometimes, as unmistakably here, the active is more suitable.
These loveless people are not further defined, and may either have
been Israelites or aliens. Perhaps there was one "man" of special
mischief prominent among them, but it is not safe to treat that
expression as anything but a collective. Ver. 2 looks back to xlii.
9, the former clause in each verse being practically equivalent, and
the second in xliii. being a quotation of the second in ver. 9, with a
variation in the form of the verb to suggest more vividly the picture
of weary, slow, dragging gait, fit for a man clad in mourning garb.
Public-domain text, read in full here on John Shaqi.
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