The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL. — John Shaqi
The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL.
Maclaren, Alexander
Bible. Psalms -- Commentaries
There is, no doubt, difficulty in ver. 1; for, if it is taken as
an independent sentence, it sounds tautological, since there is no
well-marked difference between "sitting" and "lodging," nor much
between "secret place" and "shadow." But possibly the idea of safety
is more strongly conveyed by "shadow" than by "secret place," and
the meaning of the apparently identical assertion may be, that he
who quietly enters into communion with God thereby passes into His
protection; or, as Kay puts it, "Loving faith on man's part shall be
met by faithful love on God's part." The LXX. changes the person of
"will say" in ver. 2, and connects it with ver. 1 as its subject ("He
that sits ... that lodges ... shall say"). Ewald, followed by Baethgen
and others, regards ver. 1 as referring to the "I" of ver. 2, and
translates "Sitting ... I say." Hupfeld, whom Cheyne follows, cuts the
knot by assuming that "Blessed is" has dropped out at the beginning of
ver. 1, and so gets a smooth run of construction and thought ("Happy is
he who sits ... who lodges ... who says"). It is suspiciously smooth,
obliterates the characteristic change of persons, of which the psalm
has other instances, and has no support except the thought that the
psalmist would have saved us a great deal of trouble, if he had only
been wise enough to have written so. The existing text is capable of a
meaning in accordance with his general drift. A wide declaration like
that of ver. 1 fittingly preludes the body of the song, and naturally
evokes the pathetic profession of faith which follows.
According to the accents, ver. 2 is to be read "I will say, 'To
Jehovah [belongs] my refuge,'" etc. But it is better to divide as
above. Jehovah _is_ the refuge. The psalmist speaks _to_ Him, with the
exclamation of yearning trust. He can only call Him by precious names,
to use which, in however broken a fashion, is an appeal that goes
straight to His heart, as it comes straight from the suppliant's. The
singer lovingly accumulates the Divine names in these two first verses.
He calls God "Most High," "Almighty," when he utters the general truth
of the safety of souls that enter His secret place; but, when he speaks
his own trust, he addresses Jehovah, and adds to the wide designation
"God" the little word "my," which claims personal possession of His
fulness of Deity. The solo voice does not say much, but it says enough.
There has been much underground work before that clear jet of personal
"appropriating faith" could spring into light.
Public-domain text, read in full here on John Shaqi.
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