The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL. — John Shaqi
The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL.
Maclaren, Alexander
Bible. Psalms -- Commentaries
Gladness passes into awe in ver. 2_a_, as the seer beholds the cloud
and gloom which encircle the throne. The transcending infinitude of the
Divine nature, the mystery of much of the Divine acts, are symbolised
by these; but the curtain is the picture. To know that God cannot
be known is a large part of the knowledge of Him. Faith, built on
experience, enters into the cloud, and is not afraid, but confidently
tells what it knows to be within the darkness. "Righteousness and
judgment"--the eternal principle and the activity thereof in the
several acts of the King--are the bases of His throne, more solid
than the covering cloud. Earth can rejoice in His reign, even though
darkness may make parts of it painful riddles, if the assurance is held
fast that absolute righteousness is at the centre, and that the solid
core of all is judgment. Destructive power, symbolised in ver. 3 by
fire which devours His adversaries, the fire which flashed first on
Sinai, is part of the reason for the gladness of earth in His reign.
For His foes are the world's foes too; and a God who could not smite
into nothingness that which lifted itself against His dominion would
be no God for whom the isles could wait. These three characteristics,
mystery, righteousness, power to consume, attach to Jehovah's royalty,
and should make every heart rejoice.
In the second strophe, the tenses suddenly change into pure narrative.
The change may be simply due, as Cheyne suggests, to the influence
of the earlier passages descriptive of theophanies, and in which the
same tense occurs; but more probably it points to some event fresh in
the experience of Israel, such as the return from Babylon. In this
strophe again, we have mosaic. Ver. 4_a_ is quoted from Psalm lxxvii.
18. With ver. 4_b_ may be compared Psalm lxxvii. 16. Ver. 5_a_ is like
Micah i. 4, and, in a less degree, Psalm lxviii. 2. "The Lord of the
whole earth" is an unusual designation, first found in a significant
connection in Josh. iii. 11, 13, as emphasising His triumph over
heathen gods, in leading the people into Canaan, and afterwards found
in Zech. iv. 14, vi. 5, and Micah iv. 13. Ver. 6_a_ comes from the
theophany in Psalm l. 6; and ver. 6_b_ has parallels in both parts of
Isaiah--_e.g._, Isa. xxxv. 2, xl. 5, lii. 10--passages which refer
to the restoration from Babylon. The picture is grand as a piece of
word-painting. The world lies wrapped in thunder-gloom, and is suddenly
illumined by the fierce blaze of lightning. The awestruck silence of
Nature is wonderfully given by ver. 4_b_: "The earth saw and trembled."
But the picture is symbol, and the lightning-flash is meant to set
forth the sudden, swift forth-darting of God's delivering power, which
awes a gazing world, while the hills melting like wax from before His
face solemnly proclaim how terrible its radiance is, and how easily
the mere showing of Himself annihilates all high things that oppose
themselves. Solid-seeming and august powers, which tower above His
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account