The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 3: Psalms XC.-CL.
Maclaren, Alexander
Bible. Psalms -- Commentaries
31 Let the glory of Jehovah endure for ever,
Let Jehovah rejoice in His works.
32 Who looks on the earth and it trembles,
He touches the mountains and they smoke.
33 Let me sing to Jehovah while I live,
Let me harp to my God while I have being.
34 Be my meditation sweet to Him!
I, I will rejoice in Jehovah.
35 Be sinners consumed from the earth,
And the wicked be no more!
Bless Jehovah, my soul!
Hallelujah!
Like the preceding psalm, this one begins and ends with the
psalmist's call to his soul to bless Jehovah. The inference has
been drawn that both psalms have the same author, but that is much
too large a conclusion from such a fact. The true lesson from it
is that Nature, when looked at by an eye that sees it to be full
of God, yields material for devout gratitude no less than do His
fatherly "mercies to them that fear Him." The key-note of the psalm
is struck in ver. 24, which breaks into an exclamation concerning
the manifoldness of God's works and the wisdom that has shaped
them all. The psalm is a gallery of vivid Nature-pictures, touched
with wonderful grace and sureness of hand. Clearness of vision and
sympathy with every living thing make the swift outlines inimitably
firm and lovely. The poet's mind is like a crystal mirror, in which
the Cosmos is reflected. He is true to the uniform Old Testament
point of view, and regards Nature neither from the scientific
nor æsthetic standpoint. To him it is the garment of God, the
apocalypse of a present Deity, whose sustaining energy is but the
prolongation of His creative act. All creatures depend on Him; His
continuous action is their life. He rejoices in His works. The
Creation narrative in Genesis underlies the psalm, and is in the main
followed, though not slavishly.
Ver. 1 would be normal in structure if the initial invocation were
omitted, and as ver. 35 would also be complete without it, the
suggestion that it is, in both verses, a liturgical addition is
plausible. The verse sums up the whole of the creative act in one grand
thought. In that act the invisible God has arrayed Himself in splendour
and glory, making visible these inherent attributes. That is the
deepest meaning of Creation. The Universe is the garment of God.
Public-domain text, read in full here on John Shaqi.
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