The Expositor's Bible: The Second Epistle to the Corinthians — John Shaqi
The Expositor's Bible: The Second Epistle to the CorinthiansDenney, James
Religion
The Expositor's Bible: The Second Epistle to the Corinthians
Denney, James
Bible. Corinthians, 2nd -- Criticism, interpretation, etc.
[11] When we consider the New Testament use of this idea (cf. Rom. iv.
11; Rev. vii. 2 ff.; Eph. i. 13 f., and this passage), and remember
that Paul and John can have had nothing to do with the Greek
mysteries, it will be apparent that to adduce the ecclesiastical use
of σφραγίς as a proof that the conceptions current in these mysteries
had a powerful influence from the earliest times on the Christian
conception of baptism is beside the mark. One of the earliest examples
outside the New Testament is in the Shepherd of Hermas, _Simil._,
viii. 6: οἱ πιστεύσαντες καὶ εἰληφότες τὴν σφραγῖδα καὶ τεθλακότες
αὐτὴν καὶ μὴ τηρήσαντες ὑγιῆ. This figure of _breaking the seal_, by
falling into sin and losing what baptism confers, is common. Sometimes
it is varied: "Keep the flesh pure, καὶ τὴν σφραγῖδα ἄσπιλον," in 2
Clem. viii. 6. This may be made to carry superstition, but there is
nothing superstitious or unscriptural in it to begin with.
V
_A PASTOR'S HEART_
"But I call God for a witness upon my soul, that to spare you I
forbare to come unto Corinth. Not that we have lordship over your
faith, but are helpers of your joy: for by faith ye stand. But I
determined this for myself, that I would not come again to you
with sorrow. For if I make you sorry, who then is he that maketh
me glad, but he that is made sorry by me? And I wrote this very
thing, lest, when I came, I should have sorrow from them of whom I
ought to rejoice; having confidence in you all, that my joy is
_the joy_ of you all. For out of much affliction and anguish of
heart I wrote unto you with many tears; not that ye should be made
sorry, but that ye might know the love which I have more
abundantly unto you."--2 COR. i. 23-ii. 4 (R.V.).
Public-domain text, read in full here on John Shaqi.
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