thus occasioned is no reason for denying that there is any continuity in the book, especially in view of numerous signs of unity that cannot be evaded. Among those who accept the dramatic integrity of the poem there are two distinct lines of interpretation, each of them admitting some differences in the treatment of detail. According to one scheme Solomon is the only lover; according to the other, while the king is seeking to win the affections of the country maiden, he has been forestalled by a shepherd, fidelity to whom is shewn by the Shulammite in spite of the fascinations of the court. There is no denying the rural simplicity of much of the scenery; evidently this is designed to be in contrast to the sensuous luxury and splendour of the court. Those who take Solomon to be the one lover throughout, not only admit this fact; they bring it into their version of the story so as to heighten the effect. The king is out holiday-making, perhaps on a hunting expedition, when he first meets the country maiden. In her childlike simplicity she takes him for a rustic swain; or perhaps, though she knows who he is, she sportively addresses him as she would address one of her village companions. Subsequently she shews no liking for the pomp of royalty. She cannot make herself at home with the women of the harem. She longs to be back in her mother's cottage among the woods and fields where she spent her child days. But she loves the king and he dotes on her. So she would take him with her away from the follies and temptations of the court down to her quiet country retreat. Under the influence of the Shulammite Solomon is induced to give up his unworthy habits and live a healthier, purer life. Her love is strong enough to retain the king wholly to herself. Thus the poem is said to describe a reformation in the character of Solomon. In particular it is thought to celebrate the triumph of true love over the degradation of polygamy.