From that moment Uncle Felix became an important factor in their lives. The mysterious compact between them all was signed and sealed, yet none could say who drew it up and worded it. His duties became considerable. He almost took Daddy's place. The Study, indeed, at certain hours of the evening, became their recognised nesting place, and Daddy was as pleased as they themselves were. He seemed relieved. He rarely ground out epics now when his brain was tired and full of Government stationery and sealing-wax. Uncle Felix held the wizard's wand, and what he did with it was this: he raised the sense of wonder in them to a higher level. Daddy had awakened it, and fed it with specimens they could understand. But Uncle Felix poked it into yet greater activity by giving them something that no one could ever possibly understand! He stimulated it so that it worked in them spontaneously and of its own accord. He made it _grow_. And no amount of Aunt Emilies in the world could stop him. Their father felt no jealousy. When the story-hour came round, he produced a set of sentences he kept slyly up his sleeve for the occasion. "Ask your Uncle Felix; he's better at stories and things than I am. It's his business." This was the model. A variation ran: "Oh, don't bother me just now, children. I've got a lot of figures to digest." But the shortest version was simply, "Run and plague your uncle. I'm too busy." "Try Mother" was used when Uncle Felix was in hiding. Only it had no result. Mother's mind was too diffuse to carry conviction. It was soaked in servants and things. In another sense it was too exact. The ingredients of her stories were like a cooking recipe. Besides, hers was the unpardonable fault of never forgetting the time. On the very stroke of the clock she broke off abruptly with "Now it's bed-time; you shall hear the rest another night." Daddy forgot, or pleaded for "ten minutes more." Uncle Felix, however, said flatly, "They can't go till it's finished"--and he meant it. His voice was deep and gruff--"like a dog's," according to Maria--and his laugh was like a horse's neigh; it made the china rattle. He was "frightfully strong," too, stronger than Weeden, for he could take a child under each arm and another on his back--and run! He never smiled when he told his stories, and, though this made them seem extra real, it also alarmed deliciously--in the terrible places. Perched on his gigantic knees, they felt "like up the cedar," and when he stretched an arm or leg it was the great cedar branch swaying in the wind.