It was the proud colony of wallflowers that first made Uncle Felix like
the place. Their loveliness fluttered in the winds, and their perfume
stole down deliciously above the rubbish and neglect. They seemed to
him the soul of ruins triumphing over outward destruction. Hence the
delicate melancholy in their scent and hence their lofty chosen perch.
Out of decay they grew, yet invariably above it. Both sun and stars
were in their flaming colouring, and their boldness was true courage.
They caught the wind, they held the sunset and the dawn; they turned
the air into a shining garden. They stood somehow for a yearning beauty
in his own heart that expressed itself in his stories.
"If you pick them," he warned Tim, who climbed like a monkey, and was
as destructive as his age, "the place will lose its charm. They grow
for the End of the World, and the End of the World belongs to them.
This wonderful spot will have no beauty when they're gone." To wear a
blossom in the hair or buttonhole was to be protected against decay and
ugliness.
Most wonderful of all, however, was the door in the old grey fence; for
it was a Gateway, and a Gateway, according to Uncle Felix, was a solemn
thing. None knew where it led to, it was a threshold into an unknown
world. Ordinary doors, doors in a house, for instance, were not
Gateways; they merely opened into rooms and other familiar places.
Dentists, governesses, and bedrooms existed behind ordinary, indoor
doors; but out-of-doors opened straight into the sky, and in virtue of
it were extraordinary. They were Gateways. At the End of the World
stood a stupendous, towering door that was a Gateway. Another, even
more majestic, rose at the end of life. This door in the grey fence was
a solemn, mysterious, and enticing Gateway--into everything worth
seeing.
It was invariably kept locked; it led into the high-road that slithered
along secretly and sedulously--to London. For the children it was out
of bounds. Here the Policeman lived in constant terror of his life, and
here went to and fro the strange world of Passers-by. The white road
flowed past like a river. It moved. From the lower branches of the
horse-chestnut tree they could just see it slide; also when the swing
went extra high, and from the end of the prostrate elm. It went in both
directions at once. It encircled the globe, going under the sea too.
The door leading into it was a quay or port. But the brass knob never
turned; the Gardener said there was no key; and from the outer side the
handle had long since been removed, lest Passers-by might see it and
come in. Even the keyhole had been carefully stuffed up with that
stringy stuff the Gardener carried in his pockets.
Till, finally, something happened that made the End of the World seem
suddenly a new place. Tim noticed that the stringy stuff had been
removed.
Public-domain text, read in full here on John Shaqi.
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