Still, while it lasted, his influence over me was an education. His portfolios were the very minutes of inspiration--suggestions, impressions of loveliness, caught and recorded and passed by for others. He finished little, and perhaps would have been a lesser artist and a stronger man if he could have laboured to consolidate his dreams. He taught me that not facts, but shadows of facts--the reflections, most moving, most intimate which they cast--are the real appeals to the emotions; that there is no landscape so beautiful as its reflection in a mirror, no chord so pathetic as its silent vibration in one’s heart. Perhaps the heavens are an eternity of echoes, of spectral perfumes, of dreams derived from experience, and we the authors of our own immortality. If so, we should live passionately who would dream well. What this man lacked in nerve and backbone, his strange servant and comrade supplied, and many times over. He was the oddest monstrosity--savage in criticism, caustic in humour, a Caliban bellowing grief and tenderness through hairy lungs. How he could ever have come to attach himself, and passionately, to so flaccid a bear-leader, was a problem pure for psychology. Now, at least, the two were inseparable as-- Ah, my friend! I was on the point of saying as Valentine and Proteus, but the analogy, I protest, is too poignant; for have not I too been cruelly declared the Sylvia who divided them? The portrait, on that first afternoon, was carried down to a convenient closet on the ground floor; and there de Crespigny worked on it, always alone, or in the sole company of his henchman. When finished for the day, he would invariably lock the canvas into a press, and none, not even I (there is virtue in that parenthesis), was permitted to see it. The room was held sacred to him; and madam herself refrained so religiously from intruding on its privacy as to evoke, in her guileless trust of the singleness of his conversion, the very hypocrisy which to her faith was inconceivable. For, indeed, he converted this closet--which stood safely remote and approached by a back-stair way--into a sanctuary for deceit. Often, to confess the whole truth, when she supposed me engrossed in books or the construction of celestial samplers, was I closeted with de Crespigny and Gogo, learning to handle a brush, or inspire one, while Patty, with a code of signals, kept panic watch on the stairs. Madam’s exclusion, no doubt, cost her many a patient sigh. She wondered over the idiosyncrasies of genius, which preferred, or professed to prefer, to labour its mental impressions rather than toil to record the living and mechanical pose. Still, it was true, the Sophia of to-day, however rejuvenated, was scarcely the model of that older time; and that he could finish that beautiful inspiration from her staider personality was what it was folly, perhaps, in her to expect.