The extraordinary confessions of Diana PleaseCapes, Bernard
General
The extraordinary confessions of Diana Please
Capes, Bernard
Femmes fatales -- Fiction; France -- Fiction; Historical fiction; Naples (Kingdom) -- Fiction; Women -- Fiction
“Look!” he cried, his rugged chest heaving; “I can’t kneel to you, and
I’m your slave. I walk open-eyed, hating and adoring you, into the
toils you spread for our feet. Feet!” he groaned, looking down, with a
despairing gesture. “Perhaps--who knows?--having them, I might have
escaped.”
“How did you lose them, poor Gogo?” I said.
“Hating and adoring,” he groaned, unheeding my question, “hating and
adoring. Look, little serpent: I could crush your slender throat for
what you do, and hold on, and sob my soul away to see you die. Why
have you come between us? United, we were strong, he and I. I drove
his genius on, and loved the poor ape for its spark of divinity, and
propped the weak spirit while it wrought. You knock the prop away, you
knock the prop away, and we both fall; and where is _my_ compensation
for the injury?” He clasped his great hands to me: “Give me back my
genius,” he cried in pain, “and let us go.”
I rose to my feet, half moved and half resentful.
“It is not I who take him or want him. I will not come here again.”
As I turned, he barred my way.
“No,” he said, near sobbing, “I lied. Do what you will with us: make
us angels or swine--I am content, so long as I may serve you.”
As he spoke, the door opened, and de Crespigny entered. He greeted me
with a rather shifty look, I thought, and his manner seemed too
distraught to affect any particular notice of his servant’s obvious
emotion.
“O, well, _ma bella_ Unanina,” said he; “but a little sitting for this
afternoon, please.”
I flushed, and was about to refuse to remain at all, when an imploring
scowl from Gogo softened me. With plenty of hauteur, I stalked into a
little curtained-off alcove which was consecrated to me for
tiring-room, and there dressed for model. When I emerged again, my
feet and arms were bare, my hair loose in a golden fillet, and, for
the rest, I wore a kind of seraph smock, in which _les convenances_
had been constrained to clothe me for the peerless Una.
For as Una I was being painted. Looking one day through de Crespigny’s
portfolios, I had come upon some “impressions,” royal, strenuous, of
lions in the Tower menagerie, and was admiring the lithe, strong
darlings, when his voice breathed behind me, with that little eternal
foolish giggle.
“Have you decided, naughty?”
“Yes,” I whispered. “I will be the fairy lady whom the lion came to
devour, and remained to serve and protect, because she was so pure and
innocent.”
He did not know who I meant; so I found him the book and place.
“Ah, to be sure!” said he, reading eagerly. “She laid her stole aside,
did she? Yes, it is an inspiration. It will suit me, if it does you.”
Public-domain text, read in full here on John Shaqi.
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