France -- Fiction; Identity -- Fiction; Love stories; Orphans -- Fiction; Young women -- Fiction
M. Simare walked up to her, bowed to her gallantly, like a bull-fighter
dedicating his next feat of prowess to the most prominent person present
and sat down four feet in front of her. And he began:
“The setting first, madame. Picture the skirt of a wood: _dramatis
personæ_, Fanchon and her friend Colin, who is whispering sweet nothings
in her ear, very much in her ear, and ... but wait! At no great
distance, in the middle of the wood, his reverence the rector is
strolling, reading his breviary; and his walk takes him in the direction
of our young rustics.... He comes.... He comes nearer and nearer.... Do
you see the picture, madame?”
“Yes, yes,” said Gilberte, earnestly, like a child who is interested in
a fairy-tale. “What next?”
“The sun darts his rays through the branches, from the patches of blue
sky....”
He continued his description at length, talked of the rector and the
birds and the flowers and the cool shade of the trees; and, strange to
say, there was not another word about Fanchon and Colin.
“M. Simare is a little discursive this evening,” whispered somebody. “He
is not coming to the point as quickly as usual.”
In fact, he was veering away from it, with his eyes fixed on Gilberte,
who listened eagerly and who repeated, at intervals:
“And then? What next?”
Thereupon, he got more and more entangled in the poetic stroll of the
rector, who kept on walking and never seemed to come as far as Fanchon
and Colin. And it was Gilberte who, at last, exclaimed:
“But what became of Colin and Fanchon?”
Then the old boy made a decisive gesture:
“I can’t, I can’t tell you.... No, I won’t tell you....”
Everybody rose. Everybody protested.
M. Simare took refuge in laughter:
“Well, no, I won’t tell you.”
“But why not?”
“Why not? I don’t know! It’s her eyes.... There are words one can’t
utter when one looks at her, there are things one can’t tell.”
He was no longer laughing. The others were silent. And he continued:
“Look at her eyes. They gaze at you so softly, so innocently.... All the
time that I was talking my nonsense, I wanted to invent something for
her, something about saints and angels and a good little girl who loves
her mother and only thinks of pleasing her and is happy from morning
till night....”
V
THE SUITORS
Gilberte went to more of Mme. de la Vaudraye’s evenings: not that she
liked them much; but she did not wish to have it thought that she
disliked them.
Public-domain text, read in full here on John Shaqi.
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