France -- Fiction; Identity -- Fiction; Love stories; Orphans -- Fiction; Young women -- Fiction
Her almost daily destination was the little chapel of
Notre-Dame-sur-l’Eau. It was here that she had had her last interview
with Guillaume. It was a peaceful spot, where she loved to dream. One
day, when she was coming back by a rambling way, she passed the house
which was once tenanted by those Despriols who had brought about M. and
Mme. de la Vaudrayes’ ruin. The rusty bars of the gate seemed crumbling
to pieces. A tangle of weeds and brambles overran the garden. The front
of the house was cracking; the slates of the roof were green; the
windows were full of swallows’ nests. Everything spoke of desertion and
neglect. Nevertheless, Gilberte felt drawn to it.
The gate resisted her efforts and she walked round the garden-wall,
feeling sure that she would find a door near a corner which she saw a
little way off. She did find one; and it was open, as was the door at
the top of the steps leading up to the house.
She had no sooner gone inside than the impression which the old house
had made upon her became so distinct as to awaken recognition. It was
that curious impression which we sometimes receive in the presence of
scenes which we are sure that we have never looked upon and which
nevertheless we seem to have always known. It is impossible that we
should ever have visited a certain town; and yet the street in which we
are is quite familiar to us: we have seen this shop before, that
sign-board, this gable, that turning. Where and when? In what bygone
existence? Or is it only an illusion awakened in our brain by a series
of similar pictures?
“This is the drawing-room,” said Gilberte, before opening the door.
And she amused herself by likewise pointing out, with absolute
conviction, the kitchen and the dining-room.
But her astonishment was great indeed when, on the first floor, she
entered a large room hung with grey wall-paper, on which birds and
butterflies flitted amongst blue flowers. Where had she seen those
flowers, those butterflies, those birds before?
She gave a start: in a corner, on the dusty floor, lay a doll, the last
stranded relic of all that had once filled the house. And Gilberte knew
that doll, knew it beyond a doubt.
She picked it up and, at the first touch of it, was seized with an
extraordinary emotion, as though it had been a doll of her childhood, a
doll with which she had played at the age of three or four, one of those
dolls which little girls treat as babies, lavishing on them all the
devotion, the infinite care, the tenderness, the pride and the anxiety
of the future mother. And she saw this one, this poor, wretched rag of a
doll, with no clothes and only half a head, she saw it, or rather
recalled it, clad in a dress of orange silk and a green shawl, with
bronze shoes on its feet, a silver chain round its neck and the most
wonderful mop of yellow hair upon its head.
Public-domain text, read in full here on John Shaqi.
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