But presently, from beyond the willow wall, he heard her voice
again--singing to the accompaniment of the mountain stream. Softly, the
melody died away in the distance--losing itself, at last, in the deeper
organ-tones of the mountain waters.
For some minutes, the artist stood listening--thinking he heard it still.
Aaron King did not, that night, tell Conrad Lagrange of his adventure in
the spring glade.
Chapter XVII
Confessions in the Spring Glade
All the next day, while he worked upon his picture in the glade, Aaron
King listened for that voice in the organ-like music of the distant
waters. Many times, he turned to search the flickering light and shade of
the undergrowth, behind him, for a glimpse of the girl's brown dress and
winsome face.
The next day she came.
The artist had been looking long at a splash of sunlight that fell upon
the gray granite boulder which was set in the green turf, and had turned
to his canvas for--it seemed to him--only an instant. When he looked again
at the boulder, she was standing there--had, apparently, been standing
there for some time, waiting with smiling lips and laughing eyes for him
to see her.
A light creel hung by its webbed strap from her shoulder; in her hand, she
carried a slender fly rod of good workmanship. Dressed in soft brown, with
short skirts and high laced boots, and her wavy hair tucked under a wide,
felt hat; with her blue eyes shining with fun, and her warmly tinted skin
glowing with healthful exercise; she appeared--to the artist--more as some
mythical spirit of the mountains, than as a maiden of flesh and blood. The
manner of her coming, too, heightened the impression. He had heard no
sound of her approach--no step, no rustle of the underbrush. He had seen
no movement among the bushes--no parting of the willows in the wall of
green. There had been no hint of her nearness. He could not even guess the
direction from which she had come.
At first, he could scarce believe his eyes, and sat motionless in his
surprise. Then her merry laugh rang out--breaking the spell.
Springing from his seat, he went forward. "Are you a spirit?" he cried.
"You must be something unreal, you know--the way you appear and disappear.
The last time, you came out of the music of the waters, and went again the
same way. To-day, you come out of the air, or the trees, or, perhaps, that
gray boulder that is giving me such trouble."
Laughing, she answered, "My father and Brian Oakley taught me. If you will
watch the wild things in the woods, you can learn to do it too. I am no
more a spirit than the cougar, when it stalks a rabbit in the chaparral;
or a mink, as it slips among the rocks along the creek; or a fawn, when it
crouches to hide in the underbrush."
"You have been fishing?" he asked.
She laughed mockingly, "You are _so_ observing! I think you might have
taken _that_ for granted, and asked what luck."
"I believe I might almost take that for granted too," he returned.
Public-domain text, read in full here on John Shaqi.
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