"I took a few," she said carelessly. Then, with a charming air of
authority--"And now, you must go back to your work. I shall vanish
instantly, if you waste another moment's time because I am here."
"But I want to talk," he protested. "I have been working hard since noon."
"Of course you have," she retorted. "But presently the light will change
again, and you won't be able to do any more to-day; so you must keep busy
while you can."
"And you won't vanish--if I go on with my work?" he asked doubtfully. She
was smiling at him with such a mischievous air, that he feared, if he
turned away, she would disappear.
She laughed aloud; "Not if you work," she said. "But if you stop--I'm
gone."
As she spoke, she went toward his easel, and, resting her fly rod
carefully against the trunk of a near-by alder, slipped the creel from her
shoulder, placing the basket on the ground with her hat. Then, while the
painter watched her, she stood silently looking at the picture. Presently,
she faced him, and, with an impulsive stamp of her foot, said, "Why don't
you work? How can you waste your time and this light, looking at me? I
shall go, if you don't come back to your picture, this minute."
With a laugh, he obeyed.
For a moment, she watched him; then turned away; and he heard her moving
about, down by the tiny stream, where it disappeared under the willows.
Once, he paused and turned to look in her direction "What are you up to,
now?" he said.
"I shall be up to leaving you,"--she retorted,--"if you look around,
again."
He promptly turned once more to his picture.
Soon, she came back, and seated herself beside her creel and rod, where
she could see the picture under the artist's brush. "Does it bother, if I
watch?" she asked softly.
"No, indeed," he answered. "It helps--that is, it helps when it is _you_
who watch." Which--to the painter's secret amazement--was a literal truth.
The gray rock with the splash of sunshine that would not come right,
ceased to trouble him, now. Stimulated by her presence, he worked with a
freedom and a sureness that was a delight.
When he could not refrain from looking in her direction, he saw that she
was bending, with busy hands, over some willow twigs in her lap. "What in
the world are you doing?" he asked curiously.
"You are not supposed to know that I am doing anything," she retorted.
"You have been peeking again."
"You were so still--I feared you had vanished," he laughed. "If you'll
keep talking to me, I'll know you are there, and will be good."
"Sure it won't bother?"
"Sure," he answered.
"Well, then, _you_ talk to me, and I'll answer."
"I have a confession to make," he said, carefully studying the gray tones
of the alder trunk beyond the gray boulder.
"A confession?"
"Yes, I want to get it over--so it won't bother me."
"Something about me?"
"Yes."
"Why, that's what I am trying so hard to make you keep your eyes on your
work for--because _I_ have to make a confession to _you_."
"To me?"
Public-domain text, read in full here on John Shaqi.
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