The novelist grinned. "Thus it is when 'Art' becomes entangled with the
family of 'Materialism.' It's hard to break away from the flesh-pots--even
when you know you are on the road to the Promised Land. But don't
worry--'The Age' will take the initiative fast enough when she sees your
portrait of her. Wow! In the meantime, let's play their game to-night, and
take what spoils the gods may send. There will be material here for
pictures and stories a plenty." As they went up the wide steps and under
the portal into the glare of the lights, and caught the sound of the
voices within, he added under his breath, "Lord, man, but 'tis a pretty
show!--if only things were called by their right names. That old
Babylonian, Belshazzar, had nothing on us moderns after all, did he? Watch
out for the writing upon the wall."
When Aaron King and his companion entered the spacious rooms where the
pride of Fairlands Heights and the eastern lions were assembled, a buzz of
comment went round the glittering company. Aside from the fact that Mrs.
Taine, with practised skill, had prepared the way for her protege, by
subtly stimulating the curiosity of her guests--the appearance of the two
men, alone, would have attracted their attention The artist, with his
strong, splendidly proportioned, athletic body, and his handsome,
clean-cut intellectual face--calmly sure of himself--with the air of one
who knows that his veins are rich with the wealth of many generations of
true culture and refinement; and the novelist--easily the most famous of
his day--tall, emaciated, grotesquely stooped--with his homely face seamed
and lined, world-worn and old, and his sharp eyes peering from under his
craggy brows with that analyzing, cynical, half-pathetic half-humorous
expression--certainly presented a contrast too striking to escape notice.
For an instant, as comrades side by side upon a battle-field might do,
they glanced over the scene. To the painter's eye, the assembled guests
appeared as a glittering, shimmering, scintillating, cloud-like mass that,
never still, stirred within itself, in slow, graceful restless
motions--forming always, without purpose new combinations and groupings
that were broken up, even as they were shaped, to be reformed; with the
black spots and splashes of the men's conventional dress ever changing
amid the brighter colors and textures of the women's gowns; the warm flesh
tints of bare white arms and shoulders, gleaming here and there; and the
flash and sparkle of jewels, threading the sheen of silks and the filmy
softness of laces. Into the artist's mind--fresh from the tragic
earnestness of his day's work, and still under the enduring spell of his
weeks in the mountains--flashed a sentence from a good old book; "For what
is your life? It is even a vapor, that appeareth for a little time, and
then vanisheth away."
Public-domain text, read in full here on John Shaqi.
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