Then they were greeting, with conventional nothings their beautiful
hostess; who, with a charming air of triumphant--but not too
triumphant--proprietorship received them and passed them on, with a low
spoken word to Aaron King; "I will take charge of you later."
Conrad Lagrange, before they drifted apart, found opportunity to growl in
his companion's ear; "A near-great musician--an actress of divorce court
fame--an art critic, boon companion of our friend Rutlidge--two free-lance
yellow journalists--a poet--with leading culture-club women of various
brands, and a mob of mere fashion and wealth. The pickings should be
good. Look at 'Materialism', over there."
In a wheeled chair, attended by a servant in livery, a little apart from
the center of the scene,--as though the pageant of life was about to move
on without him,--but still, with desperate grip, holding his place in the
picture, sat the genius of it all--the millionaire. The creature's wasted,
skeleton-like limbs, were clothed grotesquely in conventional evening
dress. His haggard, bestial face--repulsive with every mark of his wicked,
licentious years--grinned with an insane determination to take the place
that was his by right of his money bags; while his glazed and sunken eyes
shone with fitful gleams, as he rallied the last of his vital forces, with
a devilish defiance of the end that was so inevitably near.
As Aaron King, in the splendid strength of his inheritance, went to pay
his respects to the master of the house, that poor product of our age was
seized by a paroxysm of coughing, that shook him--gasping and
choking--almost into unconsciousness. The ready attendant held out a glass
of whisky, and he clutched the goblet with skinny hands that, in their
trembling eagerness, rattled the crystal against his teeth. In the
momentary respite afforded by the powerful stimulant, he lifted his
yellow, claw-like hand to wipe the clammy beads of sweat that gathered
upon his wrinkled, ape-like brow; and the painter saw, on one bony,
talon-like finger, the gleaming flash of a magnificent diamond.
Mr. Taine greeted the artist with his husky whisper "Hello, old chap--glad
to see you!" Peering into the laughing, chattering, glittering, throng he
added, "Some beauties here to-night, heh? Gad! my boy, but I've seen the
day I'd be out there among them! Ha, ha! Mrs. Taine, Louise, and Jim tried
to shelve me--but I fooled 'em. Damn me, but I'm game for a good time yet!
A little off my feed, and under the weather; but game, you understand,
game as hell!" Then to the attendant--"Where's that whisky?" And, again,
his yellow, claw-like hand--with that beautiful diamond, a gleaming point
of pure, white light--lifted the glass to his grinning lips.
When Mrs. Taine appeared to claim the artist, her husband--huddled in his
chair, an unclean heap of all but decaying flesh--watched them go, with
hidden, impotent rage.
Public-domain text, read in full here on John Shaqi.
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