To which the novelist answered, cryptically, "If you have not the eyes to see the reason, it will matter little whether you know it or not. If you _do_ see the reason, and, still, produce a portrait that pleases your sitter, then you will have paid the price; you will receive your reward; and"--the speaker's tone grew sad and bitter--"you will be what I am." With this, he arose abruptly and, without another word, stalked into the hotel; the dog following with quiet dignity, at his heels. From the beginning of their acquaintance, almost, the novelist and the artist had dropped into the habit of taking their meals together. At breakfast, the next morning, Conrad Lagrange reopened the conversation he had so abruptly closed the night before. "I suppose," he said, "that you will set up a studio, and do the thing in proper style?" "Mrs. Taine told me of a place that is for rent, and that she thinks would be just the thing," returned the young man. "It is across the road from that big grove owned by Mr. Taine. I was wondering if you would care to walk out that way with me this morning and help me look it over." The older man's hearty acceptance of the invitation assured the artist of his genuine interest, and, an hour later--after Aaron King had interviewed the agent and secured the keys, with the privilege of inspecting the premises--the two set out together. They found the place on the eastern edge of the town; half-hidden by the orange groves that surrounded it on every side. The height of the palms that grew along the road in front, the pepper and eucalyptus trees that overshadowed the house, and the size of the orange-trees that shut in the little yard with walls of green, marked the place as having been established before the wealth of the far-away East discovered the peculiar charm of the Fairlands hills. The lawn, the walks, and the drive were unkempt and overgrown with weeds. The house itself,--a small cottage with a wide porch across the front and on the side to the west,--unpainted for many seasons, was tinted by the brush of the elements, a soft and restful gray. But the artist and his friend, as they approached, exclaimed aloud at the beauty of the scene; for, as if rejoicing in their freedom from restraint, the roses had claimed the dwelling, so neglected by man, as their own. Up every post of the porch they had climbed; over the porch roof, they spread their wealth of color; over the gables, screening the windows with graceful lattice of vine and branch and leaf and bloom; up to the ridge and over the cornice, to the roof of the house itself--even to the top of the chimney they had won their way--and there, as if in an ecstasy of wanton loveliness, flung, a spray of glorious, perfumed beauty high into the air.