"And," answered Conrad Lagrange, from where he stood in the big front
door, "the mountains! Don't forget the mountains. The soft, steady, north
light on your canvas, and a message from the mountains to your soul,
through the same window, should make it a good place to work, Mr.
Painter-man. I suppose over here"--he moved away from the window, and
spoke in his mocking way--"over here, you will have a tea-table for the
ladies of the circle elect--who will come to, 'oh', and, 'ah', their
admiration of the newly discovered genius, and to chatter their
misunderstandings of his art. Of course, there will be a page in velvet
and gold. By all means, get hold of an oriental kid of some kind--oriental
junk is quite the rage this year. You should take advantage of every
influence that can contribute to your success, you know. And, whatever you
do, don't fail to consult the 'Goddess' about these essentials of your
craft. Many a promising genius has been lost to fame, through inviting the
wrong people to take tea in his studio. But"--he finished whimsically,
looking from the window into the garden--"but what the devil do you
suppose the spirit who lives out there will think about it all."
* * * * *
The days of the two following weeks were busy days for Aaron King. He
leased the place in the orange groves, and set men to work making it
habitable. The lawn and grounds were trimmed and put in order; the
interior of the house was renovated by painter and paper-hanger; and the
barn, under the artist's direction, was transformed into an ideal studio.
There was a trip to Los Angeles--quite fortunately upon a day when Mrs.
Taine must go to the city shopping--for rugs and hangings; and another
trip to purchase the tools of the artist's craft. And, at last, there was
a Chinese cook and housekeeper to find; with supplies for his kitchen. It
was at Conrad Lagrange's suggestion, that, from the first, every one was
given strict orders to keep out of the rose garden.
Every day, the novelist--accompanied, always, by Czar--walked out that way
to see how things were progressing; and often,--if he had not been too
busy to notice,--Aaron King might have seen a look of wistfulness in the
keen, baffling eyes of the famous man--so world-weary and sad. And, while
he did not cease to mock and jeer and offer sarcastic advice to his
younger friend, the touch of pathos--that, like a minor chord, was so
often heard in his most caustic and cruel speeches--was more pronounced.
As for Czar--he always returned to the hotel with evident reluctance; and
managed to express, in his dog way, the thoughts his distinguished master
would not put in words.
Very often, too, the big touring car from the house on Fairlands Heights
stopped in front of the cottage, while the occupants inspected the
premises, and--with many exclamations of flattering praise, and a few
suggestions--made manifest their interest.
Public-domain text, read in full here on John Shaqi.
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