The Fable of the Bees; Or, Private Vices, Public BenefitsMandeville, Bernard
Philosophy
The Fable of the Bees; Or, Private Vices, Public Benefits
Mandeville, Bernard
Charity-schools -- Early works to 1800; Ethics -- Early works to 1800; Virtue -- Early works to 1800
The poorest labourer's wife in the parish, who scorns to wear a
strong wholesome frize, as she might, will half starve herself and
her husband to purchase a second-hand gown and petticoat, that cannot
do her half the service; because, forsooth, it is more genteel. The
weaver, the shoemaker, the tailor, the barber, and every mean working
fellow, that can set up with little, has the impudence, with the
first money he gets, to dress himself like a tradesman of substance:
the ordinary retailer in the clothing of his wife, takes pattern
from his neighbour, that deals in the same commodity by wholesale,
and the reason he gives for it is, that twelve years ago the other
had not a bigger shop than himself. The druggist, mercer, draper,
and other creditable shopkeepers, can find no difference between
themselves and merchants, and therefore dress and live like them. The
merchant's lady, who cannot bear the assurance of those mechanics,
flies for refuge to the other end of the town, and scorns to follow
any fashion but what she takes from thence; this haughtiness alarms the
court, the women of quality are frightened to see merchants wives and
daughters dressed like themselves: this impudence of the city, they
cry, is intolerable; mantua-makers are sent for, and the contrivance
of fashions becomes all their study, that they may have always new
modes ready to take up, as soon as those saucy cits shall begin to
imitate those in being. The same emulation is continued through the
several degrees of quality, to an incredible expence, till at last
the prince's great favourites and those of the first rank of all,
having nothing left to outstrip some of their inferiors, are forced
to lay out vast estates in pompous equipages, magnificent furniture,
sumptuous gardens, and princely palaces.
To this emulation and continual striving to out-do one another it is
owing, that after so many various shiftings and changes of modes, in
trumping up new ones, and renewing of old ones, there is still a plus
ultra left for the ingenious; it is this, or at least the consequence
of it, that sets the poor to work, adds spurs to industry, and
encourages the skilful artificer to search after further improvements.
It may be objected, that many people of good fashion, who have been
used to be well dressed, out of custom, wear rich clothes with all
the indifferency imaginable, and that the benefit to trade accruing
from them cannot be ascribed to emulation or pride. To this I answer,
that it is impossible, that those who trouble their heads so little
with their dress, could ever have wore those rich clothes, if both
the stuffs and fashions had not been first invented to gratify the
vanity of others, who took greater delight in fine apparel, than they;
besides that every body is not without pride that appears to be so;
all the symptoms of that vice are not easily discovered; they are
manifold, and vary according to the age, humour, circumstances,
and often constitution of the people.
Public-domain text, read in full here on John Shaqi.
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