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| By Dallas Lore Sharp |
| |
| |
| THE FACE OF THE FIELDS, 12mo, $1.25, |
| _net_. Postage extra. |
| |
| THE LAY OF THE LAND, 12mo, $1.25, _net_. |
| Postage, 15 cents. |
| |
| |
| HOUGHTON MIFFLIN COMPANY |
| |
| BOSTON AND NEW YORK |
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THE FACE OF THE FIELDS
BY DALLAS LORE SHARP
AUTHOR OF “WILD LIFE NEAR HOME,” “ROOF AND
MEADOW,” AND “THE LAY OF THE LAND”
BOSTON AND NEW YORK
HOUGHTON MIFFLIN COMPANY
The Riverside Press Cambridge
1911
COPYRIGHT, 1911, BY DALLAS LORE SHARP
ALL RIGHTS RESERVED
_Published March 1911_
_TO MY GOOD FRIEND_
HINCKLEY GILBERT MITCHELL
_HONEST SCHOLAR_
CONTENTS
I. THE FACE OF THE FIELDS 1
II. TURTLE EGGS FOR AGASSIZ 27
III. THE EDGE OF NIGHT 57
IV. THE SCARCITY OF SKUNKS 81
V. THE NATURE-WRITER 111
VI. JOHN BURROUGHS 141
VII. HUNTING THE SNOW 177
VIII. THE CLAM FARM 193
IX. THE COMMUTER’S THANKSGIVING 217
All but two of these papers made their first appearance in _The
Atlantic Monthly_. “The Nature-Writer” was first printed in _The
Outlook_ and “Hunting the Snow” in _The Youth’s Companion_.
I
THE FACE OF THE FIELDS
THE FACE OF THE FIELDS
There was a swish of wings, a flash of gray, a cry of pain, a
squawking, cowering, scattering flock of hens, a weakly fluttering
pullet, and yonder, swinging upward into the October sky, a marsh
hawk, buoyant and gleaming silvery in the sun. Over the trees he beat,
circled once, and disappeared.
The hens were still flapping for safety in a dozen directions, but the
gray harrier had gone. A bolt of lightning could not have dropped so
unannounced, could not have vanished so completely, could scarcely
have killed so quickly. I ran to the pullet, but found her dead. The
harrier’s stroke, delivered with fearful velocity, had laid head and
neck open as with a keen knife. Yet a fraction slower and he would
have missed, for the pullet caught the other claw on her wing. The
gripping talons slipped off the long quills, and the hawk swept on
without his quarry. He dared not come back for it at my feet; and so
with a single turn above the woods he was gone.
Public-domain text, read in full here on John Shaqi.
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