Fox and snake and hawk are real, but not the absence of peace and
joy--except within my own breast. There is struggle and pain and death
in the woods, and there is fear also, but the fear does not last long;
it does not haunt and follow and terrify; it has no being, no
substance, no continuance. The shadow of the swiftest scudding cloud
is not so fleeting as this shadow in the woods, this Fear. The lowest
of the animals seem capable of feeling it; yet the very highest of
them seem incapable of dreading it; for them Fear is not of the
imagination, but of the sight, and of the passing moment.
The present only toucheth thee!
It does more, it throngs him--our fellow mortal of the stubble field,
the cliff, and the green sea. Into the present is lived the whole of
his life--none of it is left to a storied past, none sold to a
mortgaged future. And the whole of this life is action; and the whole
of this action is joy. The moments of fear in an animal’s life are
moments of reaction, negative, vanishing. Action and joy are constant,
the joint laws of all animal life, of all nature, from the shining
stars that sing together, to the roar of a bitter northeast storm
across these wintry fields.
We shall get little rest and healing out of nature until we have
chased this phantom Fear into the dark of the moon. It is a most
difficult drive. The pursued too often turns pursuer, and chases us
back into our burrows, where there is nothing but the dark to make us
afraid. If every time a bird cries in alarm, a mouse squeaks with
pain, or a rabbit leaps in fear from beneath our feet, we, too, leap
and run, dodging the shadow as if it were at our own heels, then we
shall never get farther toward the open fields than Chuchundra, the
muskrat, gets toward the middle of the bungalow floor. We shall always
creep around by the wall, whimpering.
But there is no such thing as fear out of doors. There was, there will
be; you may see it for an instant on your walk to-day, or think you
see it; but there are the birds singing as before, and as before the
red squirrel, under cover of large words, is prying into your
purposes. The universal chorus of nature is never stilled. This part,
or that, may cease for a moment, for a season it may be, only to let
some other part take up the strain; as the winter’s deep bass voices
take it from the soft lips of the summer, and roll it into thunder,
until the naked hills seem to rock to the measures of the song.
So must we listen to the winter winds, to the whistle of the soaring
hawk, to the cry of the trailing hounds.
Public-domain text, read in full here on John Shaqi.
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