Gurdy pushed scornfully through the gapers and trotted into the white
vestibule of the theatre where men were arranging flowers--horseshoes
of orchids, ugly and damp, roses in all tints, lumps of unknown bloom
on standards wrapped in silver foil. A redhaired, hatless youth listed
the cards dangling from these treasures and told Gurdy to go to hell
when Gurdy asked for his uncle but another man nodded to stairs of
yellow, slick marble. On the landing Gurdy found a door stencilled
in gold, “Carlson & Walling.” The door opened into a room hung with
photographs where Gurdy saw Mark sitting on a table, surrounded by men.
Mr. Carlson, already sheathed in winter furs, bullied a carpenter who
corrected the lower shelf of a bookcase. Gurdy stood wondering at the
furious shades of neckties and the grey hard hats which Miss Converse
thought vulgar.
“My God,” said Carlson, “Mark, look at that comin’ in!”
Mark groaned. He had a compact with Mrs. Bernamer that the borrowed boy
shouldn’t enter a theatre until he was twelve. He was tall enough for
twelve but he was only nine. He stayed in the doorway, studying the red
walls of the room, his white socks far apart and his hands thrust into
the pockets of his short, loose breeches. The callers stared at the
tough legs brown from summer on the farm. The boy’s one patent beauty,
his soft, pale hair, was hidden by his English sailor cap and his white
blouse was spotted with ink stains. But the men grinned and chuckled,
admiringly. Gurdy made no sound when Carlson set him on the top of the
bookcase but gazed contemptuously at the crowding men and let himself
be petted.
“When d’you inaugurate, Mark?”
“Eight fifteen, when you’ll be in bed, sonny.”
Gurdy drawled, “I don’t get to bed till quarter of nine and you ought
to know that by this time.” He frowned, partly closing his dark blue
eyes, as the men laughed. “What are all those flowers for?”
Public-domain text, read in full here on John Shaqi.
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