Her voice had rounded and came crisply with an English hint. But it was
not music. It jangled badly against Rand’s level, “What’ll you have,
sir?” from the table where there were bottles and plates of sandwiches.
Mark considered this boy as they talked of “The Merry Widow.” He saw
man’s beauty inexpertly enough. Young Rand was handsome in the fragile,
groomed manner of an English illustration. His chin was pointed. His
eyes seemed brown. His curls lay in even bands. He had neither length
nor strength. But he talked sensibly, rather shrewdly.
“There’ll be a deal of money lost bringing over Viennese pieces, of
course. This thing’s one in a thousand. Quite charming.”
Mark asked, “You’ve not been over here long?”
“I?” Rand laughed, “Lord, yes. I’m a Canadian. Born in Iowa, as a
matter of fact. I’ve been a good deal in England, of course.--Oh, I was
at your new piece the other night. Red Winter, I mean. How very nicely
you’ve mounted it. I really felt beastly cold in that second act. The
snow’s so good.”
Mark bowed, selecting a sandwich. The critics had praised the snow
scene. Rand might truly admire it. If the snow hadn’t satisfied Mark it
had pleased every one else. He lost himself in thoughts of snow. Cora
trailed her rose gown to the table and poured water into a glass of
pale wine. A broad bracelet on her wrist clicked against the glass. She
said, “You and Carlson own all the rights to Red Winter, don’t you?”
“Yes.”
“Are you going to send it to London?”
He laughed and put down his glass. “London? What for? It’d last just
about one week!”
Cora smiled over a shoulder, retiring to the shelf of flowers.
“It would do better than that, Mark. I’ve played in London.”
“I’ve never played there but I’ve been there enough to know better.
California Gold Rush! They don’t know there was such a thing!”
“Oh, I say,” said Rand.
Cora sipped some watered wine. The light shot through the glass and
made a pear of glow on her throat. She was motionless, drinking. She
became a shape set separate from the world in a momentary gleam. He
knew that she was acting. Then she said sharply, “I’ll buy the English
rights if you and Carlson’ll make me a decent figure.”
“Oh, look here! You’d lose. I was talking to Ian Gail about it, last
night. It wouldn’t make a cent in England. They wouldn’t know what it’s
all about. And--it’s such a rotten play! There’s nothing in it!”
She asked, looking at him, “Can I have it?” and her flat voice took
fire in the question, achieved music. She must want the poor play
badly. Rand’s pink nails were lined along his moustache, hiding its
silk. The room fell silent.
“Oh, sure,” Mark said, “You can have it, Cora. I’ll see Mr. Carlson in
the morning.... But damned if I can make out what there is in the play.”
Public-domain text, read in full here on John Shaqi.
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