The folk-tale (_sean-sgéal_) or Märchen, which I have spent so much time in collecting, must not be confounded with the folk-belief which forms the basis of Mr. Wentz's studies. The _sgéal_ or story is something much more intricate, complicated, and thought-out than the belief. One can quite easily distinguish between the two. One (the belief) is short, conversational, chiefly relating to real people, and contains no great sequence of incidents, while the other (the folk-tale) is long, complicated, more or less conventional, and above all has its interest grouped around a single central figure, that of the hero or heroine. I may make this plainer by an example. Let us go into a cottage on the mountain-side, as Mr. Wentz and I have done so often, and ask the old man of the house if he ever heard of such things as fairies, and he will tell you that 'there is fairies in it surely. Didn't his own father see the "forth"[10] beyond full of them, and he passing by of a moonlight night and a little piper among them, and he playing music that mortal man never heard the like?' or he'll tell you that 'he himself wouldn't say agin fairies for it's often he heard their music at the old bush behind the house'. Ask what the fairies are like, and he will tell you--well, pretty much what Mr. Wentz tells us. From this and the like accounts we form our ideas of fairies and fairy music, of ghosts, mermaids, _púcas_, and so on, but there is no sequence of incidents, no hero, no heroine, no story. Again, ask the old man if he knows e'er a _sean-sgéal_ (story or Märchen), and he will ask you at once, 'Did you ever hear the Speckled Bull; did you ever hear the Well at the end of the world; did you ever hear the Tailor and the Three Beasts; did you ever hear the Hornless Cow?' Ask him to relate one of these, and if you get him in the right vein, which may be perhaps one time in ten, or if you induce the right vein, which you may do perhaps nine times out of ten, you will find him begin with a certain gravity and solemnity at the very beginning, thus, 'There was once, in old times and in old times it was, a king in Ireland'; or perhaps 'a man who married a second wife'; or perhaps 'a widow woman with only one son': and the tale proceeds to recount the life and adventures of the heroes or heroines, whose biographies told in Irish in a sort of stereotyped form may take from ten minutes to half an hour to get through. Some stories would burn out a dip candle in the telling, or even last the whole night. But these stories have little or nothing to say to the questions raised in this book.